A couple of weeks ago, we premiered
the first entry in Whitneypedia, as well as something of an explanation behind this recurring segment. While fearing we may brand this feature as extraordinarily narrow in scope, we nonetheless present the second edition of Whitneypedia . . . and it sounds pretty close to the first one.
But it's timely, pertinent, and environmentally friendly. How often in the last few years has Gheorghe: The Blog been able to boast such a post?
Tonight and tomorrow brings us the first, and in all likelihood the last, series of international rock concerts they're calling "Live Earth." After a flurry of "Aid"-driven monikers in the 80's (Band Aid, Live Aid, Farm Aid -- none of which benefited AIDS victims), the collective creative minds behind the rock-for-charity shows have inexplicably switched over to the "Live" labels.
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Undoubtedly you recall my words of wisdom about Live 8. Welcome to
Live Earth. ("Earth Aid" would have been far more appropriate, but so very 1980's.)
Live Earth comes to you
not from Bob Geldof (and how dare you assume so, squawks Sir Bob from his Ethiopian grass hut), but from Al Gore and . . . a bunch of the same people who do all of these things. The thought behind Live Earth is to raise awareness about global environmental issues via a series of rock concerts. You know, rock concerts which will take musicians, their crews, and their gear to far-off locales (most traveling on gas-guzzling airplanes) to rock out for the cause (at a bazillion volts of electricity). I can speak in my condescending tone about this matter, both because (a) yes, it's my normal manner of speaking, and (b) I took a college course called, coincidentally, Global Environmental Issues. (Scored an A, by the way, which . . . well, if you were one of my 10 or 12 classmates, you're rarer than the handful of sportswriters who witnessed
Douglas knock out Tyson just a few years prior.)
So what's Live Earth's game plan? Well, they're back to the eight concerts around the globe, just like Live 8. I still think Philly vs. Wembley was/is the classic way of jam-packing the very best shows thinkable, but let's face it: six extra stadiums full of ticket-buyers sure help revenues for the cause.
And when I say eight, of course, I mean 10. Technically, there is an extra pair of shows, one at a Buddhist temple in Japan and one at a research station in Antarctica, to round out all seven continents. The Antarctic show consists of one band, Nunatak: "a five-person indie rock band, part of a science team investigating climate change and evolutionary biology on the Antarctic Peninsula." Probably geekier than They Might Be Giants, not as geeky as Devo, and if they sound anything close to either, gotta be worth a listen, right?
Who's playing? Well, let me cull out the worthless crap acts in my inimitable rock snob fashion and give you the straight scoop. In chronological order from the start of the concert, it goes a little something like this:
Sydney, Australia (9:10 PM tonight)
Crowded House
Jack Johnson
Wolfmother
(Peter Garrett's a presenter; it'd be nice if he and his mates were playing, and you never know)
Tokyo, Japan (11:00 PM tonight)
Linkin Park
(domo aregato, but no domo aregato, Tokyo)
Shanghai, China (7:00 AM tomorrow)
nothing, not a damn thing you really want to hear... or at least that you've heard of
Hamburg, Germany (8:00 AM tomorrow)
Chris Cornell
Snoop Dogg
Cat Stevens
(no chance of a group medley finale)
London, England (8:30 AM tomorrow)
Red Hot Chili Peppers
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Madonna
Beastie Boys
Bloc Party
Duran Duran
Snow Patrol
Keane
Metallica
David Gray
Foo Fighters
Genesis
Spinal Tap
(and some felchy former boy-banders and dreck, but make no mistake, this here's the marquee batch)
Johannesburg, South Africa (12:00 PM tomorrow)
UB40
Joss Stone (all right, but I wanted to take the pressure off my boys in UB40 a tad)
East Rutherford, New Jersey (2:30 PM tomorrow)
(Yeah, Philly got dumped like yesterday's pizza steaks; North Jersey wins again)The Police
Dave Matthews Band
Bon Jovi
Fall Out Boy
Smashing Pumpkins
Melissa Etheridge
Kanye West
John Mayer
KT Tunstall
Roger Waters
Rio de Janeiro, Brazil (3:00 PM tomorrow)
Lenny Kravitz
Macy Gray
Pharrell Williams (only gets a nod here because he's from VA Beach)
How can you hear the music? If you have either XM or Sirius Satellite Radio, they are dedicating a series of channels to playing the broadcast. Not sure about that dinosaur called FM Radio, but chances are they'll be too busy playing the latest Gwen Stefani song over and over to bother.
How can you see the shows? While looks can be deceiving, it looks as though there will be a marked increase in availability and (we hope) production from the Live 8 pants-wetting on MTV. In increasing order of total airtime:
(All times are on Saturday 7/7 and GMT -4; for that bastion of G:TB readers outside The States, you're on you're own)
NBC: 8-11 PM
CNBC: 7 PM - 1 AM
MSNBC: supposedly airing some, but unlisted currently
The Bravo Channel: 9 AM - 2 AM Sun
Sundance Channel: 4 AM - 2 AM Sun
Universal HD: 4 AM - 2 AM Sun
Seems like a ton of coverage; in a perfect world, there'd be multiple feeds for these multiple networks and a choice of what to watch, but the reality is that I'll probably get stuck watching "The 12 Girls Band" emanate their lovely riffs from Shanghai while the Chilis are torching Wembley. Still . . . so much better than handing MTV the reins.
Any highlights or momentous events? Well, the bread-and-butter of these rock phenomena have, of course, been the long-awaited, crowd-pleasing reunions of old bandmates. Live Aid had Led Zeppelin, Black Sabbath, CSNY, and, to a lesser degree, The Who. (Re-formations for The Who happen just slightly less often than colonoscopies for these guys.) Farm Aid saw a regrouped Steppenwolf. (What? That counts.) And Live 8 was really only noteworthy for the actually-momentous Pink Floyd hatchet-burying.
So who's letting bygones be bygones for Live Earth? Hmm. Though there is always the chance of a game-day surprise, it appears that The Police are the best qualifier, though since they've been
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touring together all summer, it doesn't have that one-off, glorious "I saw it when it happened" kind of feel to it. That said, if you're like me and haven't had the chance to plunk down several hundred bucks to go see these cats take us back 25 years, then this is a big draw.
Undercard re-formings include Smashing Pumpkins (I can hear Rob groan now), and Genesis. A rousing rendition of "Zero" or anything in the
Abacab era will surely suck me in, but the "in the moment" appeal of either of these performances isn't there. And with the one and only "punk rock warlord" having passed on nearly five years ago, the greatest reunion I could ever hope for can't happen (though I will go see "The Future Is Unwritten" with anyone anytime if it ever hits screens in this country), so this is what we're left with for Live Earth.
So what's the real purpose of Live Earth? A good question. Billing itself as "The Concerts for a Climate in Crisis," its self-stated goal is "to raise awareness about global warming." As we know, the former Veep achieved great strides in this realm with his
An Inconvenient Truth. I guess there are some who feel the audience of that documentary was mostly
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Baby Boomers who only voted Republican so they could keep their C-Class Benz and might be ripe for a guilt complex, so now it's time to hit the teenagers, college nothings, and music junkies -- most of whom already are keenly aware of the planet's woes, and most of whom can't do much about it.
Because let's face it, a world where the citizens are flushing less and recycling more, turning off light bulbs and turning onto discussions about conservation is a worthy vision, but until the world's governments alter their focus and the largest businesses -- especially the energy corporations and vehicle manufacturers -- start being compensated to make massive changes, not much of that will matter. And that's where Live Earth
may make its dent, by recruiting sponsorships from and drawing attention to the big guys trying to go green. And the more international attention it engenders, the more effective it may be. Maybe someday, these massive efforts might even convince our Vice President that global warming actually exists. (Don't you feel like he's one more scotch away from barking, "And another thing -- the Holocaust? Soooo not convinced.") Otherwise, Live Earth will simply be what Bob Geldof labeled it: "an enormous pop concert or the umpteenth time that, say, Madonna or Coldplay get up on stage."
So, do your part by watching the show . . . on your big-screen, power-sucking TV. I don't know, reconcile it if you can and just enjoy the music. If you can.
* * * *
Whitneypedia Aside: Among the array of benefit concerts over the years, both the ones I delved into in my initial entry and the ones I didn't (Concert for Bangladesh, Farm Aid, etc), there is one piece of trivia I think is worth dredging up. In 1979, a handful of concerts were played in London to raise funds for Cambodian refugees after Pol Pot did his thing. (Speaking of Mr. Pot, for one of the most amusing mid-song chants in rock history, dust off the Dead Kennedys' "Holiday in Cambodia." But I digress.) Anyway, Queen, Elvis Costello, The Pretenders, The Who (recently re-formed), and especially The Clash rocked out at the Hammersmith Odeon for several nights for the
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cause -- which they called the
Concerts for the People of Kampuchea. But most curious was the pair of strange bedfellows who organized the affair . . .
Paul McCartney and Kurt Waldheim. Yep, the moptop and the Nazi. The Fab Four and the National Socialist Party. Sounds like an 80's screwball comedy in the making, right? Hilarity ensues.
In truth, the rumors (which came damn near fact) about Waldheim's tenure as a Nazi officer and blind eye to genocide didn't come to light until five or six years later, when he ran for President of Austria. (And got elected! Gotta feel for the Austrians -- they were willing to do anything to take the world's attention off Falco.) At the time, Waldheim was the U.N.'s Secretary-General, and perhaps in a reparations-style change of heart, he helped Paul put on the shows. I just can't help thinking that behind closed doors, he was one scotch away from jeering, "Khmer Rouge?? Please. They'd be a remote outstation of the Third Reich. Now
those were atrocities."
So, there's a little nugget for you, something "trivial" in every sense of the word.
Enjoy Live Earth, you're welcome for the info, and see you next time at Whitneypedia, your one-stop shopping for inane drivel about charitable rock & roll (apparently).