Monday, August 31, 2020

Play That Funky Music, White Boy

As many of you will know, G:TB-endorsed good guy Scott Van Pelt recently returned to his native Washington D.C. after a couple of decades in Connecticut. SVP's show now broadcasts from the DMV, and the local made good wasted no time adding a little bit of D.C. flavor to the mix. Van Pelt worked with legendary go go outfit Trouble Funk to spice up the SportsCenter theme:


Since we're here, we certainly don't want to waste an opportunity to share some Trouble Funk. Here they are playing an NPR Tiny Desk show.


And here's a live set from the 9:30 Club.


Saturday, August 29, 2020

I hate the new blogger but I might have some good covid news, alternatively titled "The Wisdom of Barbers," even more alternatively titled "T is for Trump," with some bad news predicted at the end

We've been awash in a sea of conflicting covid-19 information since the beginning of the crisis.  I think I've found some good news amid this morass of confusion.

Our adaptive immune systems primarily involve two types of cells: B cells and T cells.  It appears that T cells are more predominant when it comes to beating covid-19.  You can read about it here.

In July 2020, a group of European scientists published an article in Nature describing how they tested a bunch of people who never had coivd-19 and found that about 35% of them had a T cell response.  They attribute this to exposure to other coronaviruses.  This means that about 35% of the population might have some preexisting immunity to covid-19.  That's good news! 

I learned about this from a friend who is probably the smartest guy I know (sorry Dave).  He also posits that about 2% of the population of NJ already tested positive, which means that about 20% of NJ had the virus (the CDC says the true infection rate is about 10 times higher than reported).

Taken together, about 55% of the people in NJ should have some sort of immune response to the virus so we're close to the level needed for herd immunity.  That's good news too!

This conclusion is further validated by my barber.  I subscribe to a theory I call The Wisdom of Barbers.  Barbers spend the day shooting the shit with men of all ages, ethnicities, races, backgrounds, and socioeconomic status.  As a result they gather in an insanely broad range of views on whatever topic the feel like discussing and they can often crystallize that information into a prediction about the future.  My old barber ran a presidential election poll for over 20 years and it was always right.

Anyway, I got a haircut the other day at my local barbershop, an uncle-and-nephew team who may or may not take your action on NFL games.  My friend who told me about the European study also gets his hair cut there, so I asked the nephew if my friend told him about it too.  The nephew said "No, but I read a paper published through the NIH and it says the number could be as high as 50%."  I found the article in Science and he's right.  This is more good news!

All of that said, my friend an my barber are both conservatives.  My friend hates Trump but he's also a bit of a Blue Lives Matter guy (stuff like "If he had just listened to the police he wouldn't have gotten shot."). My barber voted for Trump and I'm pretty sure he will do so again (he's a Ben Shapiro fan).  The fact that they and no one other than zdaughter's speech therapist (who may be kinda Trumpy too) talks about this makes me wonder if it's a right wing talking point.

I suspect it's both.  For once, Republicans are speaking the truth and the virus will soon run its course, turning into nothing more than a relatively routine but life-threatening infection like measles.  I predict this will happen around mid-October.

Why then?  Because that's two weeks before the election.  Of course this is when the virus will clear up.  My old barber with the straw poll once told me "If you're ever at the race track and you see Bill Clinton, bet like he does.  That lucky bastard could bet on a three-legged horse and still win."  This is true--his shitty shenanigans never resulted in any real penalties and he's even allowed to speak publicly despite #MeToo.  Trump is the same guy, a bizzarro Cill Clinton.  Of course our T cells will save his lucky ass right in time to get reelected.

I eagerly await the FDA's approval of Trump brand T cells, yours for only $500 a dose or free when you buys a one year membership to any Trump brand golf club.

Thursday, August 27, 2020

Bite Me, Randy Newman

Stevie Ray Vaughan perished in a helicopter crash 30 years ago today. I remember we were back in college (after a stellar, silly summer in the 'Burg) when we heard the news. I also remember hearing the rumor first that Eric Clapton had died.  Nope, that was wrong. It was instead his "people."  And then we learned about SRV. Goddammit.

It's a crap tale of bad luck.

The day before his death, Vaughan told his band and crew members about a nightmare that he had in which he was at his own funeral and saw thousands of mourners. He felt "terrified, yet almost peaceful." Backstage after the show that evening, the musicians talked about playing together again, particularly with Eric Clapton for a series of dates at London's Royal Albert Hall in February and March 1991 as a tribute to Jimi Hendrix. Moments later, Clapton's tour manager Peter Jackson said that the weather was getting worse and they had to leave soon. Stevie wrangled the last seat on the first copter, saying, "I really need to get back." Vaughan's last words to drummer Chris Layton were "I love ya."

The cause of the crash was determined to be pilot error.  And what a shame. SRV had just cleaned up his act; after years of doing Alps-sized mountains of cocaine and drinking to excess, he'd gotten sober and was crushing it. The sky was the limit, until it was crying.

He was and is guitar genius. He channeled Hendrix like no others. No one seems to be able to channel him. When he was on stage, he was an absolute wizard and larger than life.

And he stood 5'5".

In his honor, we bring you five of our favorite SRV moments.

Voodoo Child (Slight Return) - Austin, TX - December 13, 1983


Pride And Joy - Montreux, Switzerland - July 17, 1982


Texas Flood - Toronto, Canada - July 20, 1983


Change It - Passaic, NJ - September 21, 1985


Little Wing - Toronto, Canada - July 20, 1983

Bite Me, Randy Newman.

Wednesday, August 26, 2020

The One About Vaginas and Greg Kihn

 My eldest turned 13 last week. We let him have a similar party to his younger brother - a backyard movie showing on a jumbo screen. When the woman showed up to set up, I was taken aback. This was not a young adult who could lug stuff. This was a ~70 year old woman who, while rugged and sporting a knee brace, was clearly a senior. I helped her wheel stuff to our backyard. She told she would be good from there because an assistant was coming. 

The woman's name was Tina (fake name). She told me this would be a piece of cake event for her b/c she had been DJing for 37 years. She also told me she was a DJ at our town's "ECLC" school, which is for kids with special needs. So, of course, my mind went right to Matt Dillon in Something About Mary. Am I going to get canceled for that? 


As you may be guessing, Tina and I did not get along well. She set up okay and we were cordial at first. I offered beverages to her and her assistant and let them have input on where to set up the screen and the projector. But then things went downhill. They finished setting up as I finished cooking burgers and dogs on the grill. The screen setup we had for this movie was bigger and better than the prior one. The screen was 12' x 9' and there were two large speakers. 

Kids sat in their lawn chairs to eat after playing in our front yard and street for an hour. Tina then starts cranking - and I mean CRANKING - some sort of Taylor Swift ballad on the two speakers. It was loud as fuck. It did not go over well with the group of 10-12 12 y/o boys. And it did not go over well with me. I immediately told her to turn it down a lot, amazed she would think that was an appropriate backyard volume at 730 PM, and that a group of boys would want a pop ballad. One kid than asked for hip-hop, and she changed the music. 

After the dinner, the kids went to play again and my wife and I started cleaning up. The hip hop was pretty loud. At one point, I heard some sketchy lyrics. My conversation with Tina went like this: 

Me: "Those are some aggressive lyrics!" 

Tina (dumbfounded): "I'm playing a clean hip hop mix." 

Me: "Well, somebody's singing about loving vaginas, and the whole neighborhood can hear it." 

Tina: <no response and more dumbfounded looks at me>

(Author's note: pretty sure this was the oldest woman I've ever said the word "vagina" to.)

Fast forward 20 minutes. We gather the kids in the back again to do the cake. All of a sudden, I hear some sort of polka music very loud in the background. I look at Tina and order her to cut the music. I've had it with Tina. I am now ordering her around like she's one of my kids. Her assistant, who was pleasant, young and pretty cute, recognized my ire and stayed out of the way. Tina tells me she plays this music at all her birthdays. I tell her this is not the ECLC and we will sing ourselves. 

In the couple moments where I festered on my dislike of Tina, I had full fictional conversation with her in my head. In the conversation, I asked her about when she started. This is how the conversation went in my head: 

Me: So you started in 1983? 

Tina: Yes. 

Me: Did you play a lot of Greg Kihn? 

Tina: What? 

Me: Greg Kihn. The artist. You like him? 

Tina (dumbfounded): Um, I'm not sure. It was a long time. 

Me: He's fantastic. You should have played him a lot back in the 80's. You should play him a lot now. 

Tina: <no response and more dumbfounded looks at me>

Greg Kihn | Greg Kihn - MTV Recording Artist Breakup Song (They ...

It's a conversation I might have initiated if somebody else was there. It would've been mean-spirited for sure, but funny for me and somebody else to listen to. 

In the end, I tipped Tina and her assistant pretty well. I'm not that kind of mercenary, and I no longer fester in anger like I used to. She's an older woman doing manual labor to make ends meet. But she was all kinds of annoying. And I couldn't even pour a few drinks to help tolerate her b/c I had to drive to pick up my other kid at a function across town. 

In the end, Rush Hour was a big hit. It is a PG-13 movie from 1998. Even Tina liked it. The movie did not age well, with some N-words and dated stereotypes, and had a few moments where I had to hold back laughter, like the scene below. But the party was a success. 

Tuesday, August 25, 2020

Bringing a Knife to a Gunfight (Like He Said)

Sean Connery is 90 today. 

The quintessential man's man from the Highlands.  A wise man once said, "Manly props to Sean Connery -- not only was he the best James Bond, he also was Mr. Universe and has a black belt in karate (athlete)."

Beyond that, he's been in a series of terrific films, many of which featured him as the bad-assed hero or antihero.

You loved him as James Bond. We know this.



You likely enjoyed him as the Soviet Admiral submariner.


Older Pi Lams were cultists for his Ramirez. (Once.)


You've seen him excel at game shows.


And you've probably liked him in an assortment of other roles, from Indy's dad to the guy who escaped Alcatraz to King Arthur to Robin Hood to the man who would be king in The Man Who Would Be King. Watch clips from someone's list of his best roles here

But -- despite the protestations from Sick Boy -- I'll take his Academy Award-winning work as Jimmy Malone in Brian DePalma's masterstroke, The Untouchables. DeNiro was top-notch, Costner was at the crest of his super brief but impressive wave, and Sean Connery crushed it.  Watch it again.

Okay, now. Everybody celebrate the new nonagenarian Sir Sean Connery KBE's birthday by speaking like him for a minute.  Like this

Monday, August 24, 2020

Happy Belated

There's surely such a thing as issuing too much content on one subject.  Me being that for the Joe Strummer / Clash material.  But this was awesome.

Birthday cards some in many forms. Hallmark, homemade, or a strip-o-gram.  Or a two-hour tip of the cap from a bevy of musicians who are fans of yours.  That's what this is for Joe Strummer, who, as I commented Friday, would have entered his 69th year had his heart not given out in 2002. Mostly musical tributes, with a few old stories from old friends.  My favorites include a couple of cool covers of "Death or Glory" (Jeff Tweedy; Bob Weir) and some Spanish dames dropping "Spanish Bombs."

Joe Strummer died when he was 50, a number I turn next month. With COVID putting an annoying crimp in group revelry for such events, I could (and will) do way worse than to have such a birthday card. So I'll enjoy this instead.

"Wish you were here, Joe, We could use you now more than ever."


Sunday, August 23, 2020

These Go to Twelve

They've finally gone and done it. With the release of Twelfth, the, um, 12th full-length album of their nearly 30-year career, Old 97s have managed to make my Dad happy. Or at least I assume he's happy, up there in heaven rocking out to a record that has this cover:

Dad was a big Cowboys fan, and he loved Roger Staubach. Same for 97's front man Rhett Miller, who grew up in Dallas idolizing the hall of fame quarterback. 

I think Dad would like the record, too. As a Paste review puts it, "The Old 97's sound like themselves on Twelfth - and that's a good thing."

Indeed, the album is familiar in all the right ways, like a perfectly worn pair of jeans, it's comfortable and cool. Rhett and the boys aren't breaking any new ground, but the terrain they're covering is the good shit. Here's a lyric from "Diamonds on Neptune": I got a room at a cheap hotel/I got a girl I don't know well/I got a feeling I'm gonna let her down. That sentiment is at home in every 97s record ever. I dig it.

Here's the whole record if you've got a lazy Sunday on tap and want something to keep you company.

Friday, August 21, 2020

Our Matrix Sucks

As it describes itself, "The Bulwark is a news network launched in 2018 dedicated to providing political analysis and reporting free from the constraints of partisan loyalties or tribal prejudices." Its editors and contributors do span a reasonable range of American political thought, at least broad enough sampling of the center-left and center-right. Of note, Bill Kristol, the very same person who helped immensely the project to foist Sarah Palin's canary-in-a-coalmine version of skin-deep dumb on our political firmament, is doing penance flagellating the Trump-era GOP as an editor-at-large.

Introductions aside, I do appreciate The Bulwark's generally actually fact-focused approach to the news of the day. In this era where many in the political maelstrom and their media enablers pit us against one another because it sells, I especially liked a story this week that reassured me and pissed me off all at once.

Entitled "Unplug From The Matrix", the story by Gregg Hurwitz and Marshall Herskovitz (the fourth and fifth Beastie Boys, I believe) simply and concisely lays out the many ways the majority of Americans are in violent agreement about the issues of the day, as backed by polling. So concisely that it's easy to repeat:

  • We believe hard work and innovation should be rewarded.
  • We believe everyone should play by the same rules, that the same laws should apply to all, regardless of race, religion, or background.
  • We believe in opportunity, that everyone should have a fair shot to earn a sustainable living for themselves and their family. And that working Americans have not received that fair shot for a generation.
  • We believe in laws and stability and want a competent, fair, and just legal system with enforcement that protects us all equally and is deserving of our respect.
  • We believe in the right to hold opposing views.
  • We believe in borders around our country and in a lawful, regulated, and humane immigration system.
  • We believe that children from every community should have access to quality education.
  • We believe the stain of slavery and racism has not been lifted from America, in spite of the great progress that’s been made.
  • We believe affordable healthcare should be available to every American, regardless of pre-existing conditions, and that prescription drugs are too expensive.
  • We believe in preserving our oceans, land, and skies for future generations.
There's not a lot to argue with there, no pun intended. Why, then, do we have so much angst, choler, and anger loose in the land? Herwitz and Herskovitz blame four factors: social media tech giants, mainstream newsmedia, politicians, and lobbyists. Per the authors, "These groups have created a Matrix-like information universe that monetizes, thrives, and feeds on our dissent and pain, and keeps us compulsively focused on our few areas of disagreement rather than our overwhelming similarities, until disagreement is all we can see."

The diagnosis seems logical, the remedy far less clear. It starts with conclusively and overwhelmingly defeating Donald Trump and aggressively cleansing our body politic from the people and institutions that support and enable him. A truth and reconciliation program, only one that lands a lot of people in jail or unable to show their faces in polite society. 

That's a start. 

Wednesday, August 19, 2020

Rick Astley Muppet Filler

When this came on the radio I nearly crashed my car so I could pull over and record it.

 

 According to WFMU, this is "Never Gonna Give Your Teen Spirit Up" by DJ Morgoth, not to be confused with "Don't You Ever Give Up Wanting Me Baby" by MMM (fast forward to 2:52:49 below).  

 If you want more mashups, including the Muppets doing Hamilton and Jesus Christ Superstar, fast forward to 2:44:03.
 

Tuesday, August 18, 2020

Filler Times at Gheorghe High

So this is happening.  Whom do we think will be reading for which parts?

Morgan Freeman has to be Mr. Hand, right?
Sean Penn won't play Spicoli, right? That'd be too easy?
Is Shia LaBeouf or Dane Cook reading for Damone?
Does a table reading include the Linda pool scene?

We should do a Zoom table reading of a script we like for a Gheorghe segment. At least one scene. 

Dave and I wrote a few scripts, and one was recently unearthed two time zones away. Maybe one day we'll give it a read-through.


Monday, August 17, 2020

A House, a Home

In 1983, we moved out of the house and neighborhood I described a few posts ago and into the Ghent Square section of Norfolk. My mom, stepdad, little sister, and stepbro Ian, whom my Pi Lam fratres know.  It was a new house; they'd razed the old run down blocks and built all new construction for a handful of blocks. I was too young to understand gentrification and its many impacts. I just liked that my room was up on the third floor.

It's debatable whether it's a good idea to put teenage boys in their own little world up on a different floor. At least the smell stayed up there. 

I left that house in August of 1988 to live in Williamsburg with Dave, Rob, Hightower, and 26 other dudes I'd never met. One of the most fun years of my life. Beer Olympics, the Graffiti Wall, semi-regular copulation, random idiots, and Random Idiots.

I spent college summers in Goshen, VA, Cape Cod (2), and Williamsburg (2). I was pretty sure I was never living back in the Norfolk house again.

Graduation was a bit of a moving target for me. May '92 begat December '92 which begat May '93.  In the spring of 1993, I needed "just" one 3-credit A in order to get my degree. I orchestrated an independent study wherein I wrote a 50-page paper on the Chesapeake Bay and it problems as seen by two opposing entities, the EPA and the Army Corps of Engineers.  It was a worthy document; for once, a whole-assed effort.

Given the nature of my out-of-class schooling that final semester, I moved back in with my mom. She was fresh into her second divorce and yet to meet the real love of her life a year later. Life there was... challenging.  

I was also working for my dad in Virginia Beach. He'd recently parted ways with his commercial real estate business partner of 20 years due to the recession.  As such, he was pretty unhappy, more so because I had not graduated. He enlisted me as his Office Manager (pronounced "secretary") for five bucks an hour. Life there was... challenging.  

That stint as a Norfolk resident was six of the longest months of my life, but I made it through the spring and out of college. I bolted for Cape Cod and never looked back.  Six months later, I embarked on Whitney: The Washington Years when I rented a house with Rob and Spoid Spurrier.

A lot of shit happened after that. As the Monty Python lads might say, "Skip a bit, brother."

Back to Norfolk in 2005, good days and bad, tumult and upheaval, and in 2017 I moved back into my old house. My mom and stepdad are Florida residents now, and they were poised to sell the Ghent house then, but instead I moved in and rented from them for the final few years of my two daughters' high school careers. After that, I figured I would move out and go find my own place in the world.

Eh. This past Friday, I bought the house from them.

Single-income mortgages are slightly intimidating to me, but the rates are laughably low (I locked in at 2.875%) and I'm gonna stay a while. So I'm a homeowner for the first time since 2010, and for the first time by myself. 

I love my old house. That old 3rd floor bedroom is now a guest room / office / Les Coole Studios.  I will slowly make the place my own, which I guess means more Wilco posters and fewer prints of flowers.  Although I did put up a Wilco concert poster print with flowers. 

As Jimmy Buffett sang before he became a parrot-cature... 

And there aren't many reasons I would leave
Yes, I have found me some peace
Yes, I have found me a home.

Sunday, August 16, 2020

Happy Anniversary

I commend to your attention Major League Baseball's celebration today of the 100th anniversary of the founding of the Negro National League, the first league for black players that lasted any significant period of time. This will be a short post, because I regret to admit that I don't know as much about the Negro Leagues as I should. 

Sure, like most baseball fans, I'm aware of Josh Gibson and Satchel Paige, and Cool Papa Bell, and, of course, Jackie Robinson. But as I'm learning while reading Joe Posnanski's terrific travelogue, The Soul of Baseball: A Road Trip Through Buck O'Neil's America, there are so many more great ballplayers and even better stories that people should know about.

Written in 2007 about O'Neil and Posnanski's travels across the country to promote the Negro Leagues Baseball Museum, the book is at once a lesson on how to live (from the cheerful and charismatic O'Neil) and a history of the game he played. We learn about the explosive Oscar Charleston, the eccentric Turkey Stearnes (who talked to his bats - they must've listened, because he hit over .400 three times), the slick-fielding and power hitting Ray Dandridge, and a long list of others. 

I'm not the only one with a somewhat bittersweet view of MLB's celebratory remembrance. Kevin Blackistone wrote a piece in today's Washington Post that takes the league to task for the significant part it played in the Negro Leagues very need to exist. Without MLB's institutional racism, the players mentioned above and the 35 Negro Leaguers who eventually made the Baseball Hall of Fame in Cooperstown would've demonstrated their talents at the major league level.

Buck O'Neil had a lot to be bitter about, as did so many of his contemporaries. It's a measure of his character that he chose a different worldview. Here's a passage from The Soul of Baseball that's a decent summation of the man:

"In time, I would grow accustomed to Buck’s boundless joy.  That joy went with him everywhere.  Every  day, Buck hugged strangers, invented nicknames, told jokes, and shared stories.  He sang out loud and danced happily.  He threw baseballs to kids and asked adults to tell him about their parents and he kept signing autographs long after his hand started to shake.  I heard him leave an inspiring and heartfelt two-minute phone message for a person he had never met.  I saw him take a child by the hand during a class, another child grabbed her hand, and another child grabbed his, until a human chain had formed and together they curled and coiled between the desks of the classroom, a Chinese dragon dance, and they all laughed happily.  I saw Buck pose for a thousand photographs with a thousand different people and it never bothered him when the amateur photographer fumbled around, trying all at once to focus an automatic camera, frame the shot like Scorsese, and make the camera’s flash pop at two on a sunny afternoon.  Buck kept his arm wrapped tight around the woman standing next to him. “Take your time,” he always said. “I like this.” Always."

Friday, August 14, 2020

An Onomatopoeia

Rootsy: "Wow. Fulham and Washington Football Team really spark the dialogue around here."
Me: "Yeah. So I’m doubling down on WFT news. Smart."

Chris Cooley... love that guy. 

You may remember him best because it was his release that irked Rob enough to drop them in favor of the Saints for a hot minute and then . . . footie.

You may also remember him from this 2012 G:TB post involving his contract request for a case of beer after every game.

Before that, he opened a pottery shop near Rob and Marls, as reported by Gheorghe: The Blog.

And a decade ago, he made the Ghoogles. (Very glad Teej resurrected this segment.)

In non-GTB postings, his Wikipedia page's "Personal Life" section amuses:
Though he has previously attended The Church of Jesus Christ of Latter-day Saints, he has not affiliated with that Church since at least 2004. He and his first wife Angela divorced in 2005. Later that year, he started dating Redskinnette (Redskin cheerleader) Christy Oglevee. She was fired for fraternizing with Redskins players, which the Redskins organization prohibits. They married on May 23, 2008 in Landsdowne, Virginia. In January 2012 they separated, and in September they announced their intent to divorce.

Cooley's first child, daughter Sloane, was born on September 11, 2014. Cooley, frequently referred to by his nickname "Captain Chaos," is known for his eccentric hair styles, affinity for heavy metal music, and what one reporter has called an "Animal House persona". This nickname was created when teammates bet him he would not go out to the opening coin toss and introduce himself to the opposing team captains as "Captain Chaos". Cooley did so and the nickname stuck.

Cooley maintains his own blog, "The Cooley Zone." On Sunday, September 14, 2008, Cooley posted on his blog a photo of Redskins training materials that also included his genitals. The picture remained on his site all day Sunday until it was finally removed. Cooley apologized and referred to the incident as "a complete accident", claiming that he initially posted the photo without realizing it showed his genitals.

Cooley majored in art at Utah State, and now pursues a side career as a potter. He owns an art gallery in Leesburg.
Like Mike Cooley of the Drive-By Truckers, Chris Cooley is just his own kind of cool. What is it about that surname that works like an onomatopoeia on those who carry it?

So I listened to this interview with Cooley from yesterday AM. For any fan of the guy, it's worth the 15 minutes.



https://omny.fm/shows/kevin-sheehan-show/08-13-20-kevin-sheehan-show-hour-2

As always, Chris Cooley is some chill cross between Seth Rogen and Brian Hightower. He confirms that he got offers in recent years to be an announcer for Fox, ESPN, and the NFL network, among others. Offers that would have either made him move to L.A. or Bristol (Cooley offers an amusing hard no to living in Connecticut) or at least had him on the road Thurs-Sun 20 weeks a year. He didn’t want to be away from his young kids. 

He has known for some time that his days in the Washington booth were numbered. Once the shake-up (debacle) involving Larry Michael happened, he was toast.

So this spring he had decided he was going to coach high school football up near where he and Rob and Marls live. It was all happening, and then . . . COVID. Sucks. That would’ve been a cool development for him and whatever HS had the pleasure. 

As for me and my personal happiness, well . . . Chris Cooley was always a broadcaster and a dude who called it precisely like he saw it (based on hours and hours of studying game film the way the team's coaches seemingly didn't) -- while bleeding burgundy and gold and with a clever sense of humor. When the team sucked, and let’s face it, that was pretty much always (he saluted his former employer and said he loved the job, adding, “would’ve been fun if they had won . . . any games”), having that guy in the booth was a major salve to fans. His presence on the air was a good-sized quotient of why I’d rally some masochistic friends, don some stupid old jersey, order up some wings, crack open some cold swill, delay the TV to synch with the radio broadcast, and hunker down more Sundays than not. 

This franchise has eroded most of my commitment to their cause. 

At the close of the above interview, Kevin Sheehan asks Cooley if he can stick around after the break to actually talk football, and he says, "Buddy, I would love to, but I've got a big day . . . and my son just woke up. I can talk football with you next week."  He's his own dude.

Along the way, he said he's now "kind of looking forward to fluttering in the wind a little bit." I hope we get to hear about it.

Thursday, August 13, 2020

Fulhamerica and the Undefeated Internet

It's been a week or so since Fulham defeated Brentford in the English League Championship playoff final to clinch promotion to the Premier League for 2020-21. We're not here to recap the game in its entirety, but I will share Joe Bryan's first goal of the game because it was a) sublime, and b) the product of outstanding scouting and in-the-moment coaching. According to Bryan, Fulham coach Scott Parker told him to attempt the shot in real time. It worked out.


But that's not why we're here today. 

Parker, Fulham's young skipper, was emotional and candid in his post-match interviews, which drew plaudits. But one internet wizard was struck by the similarities between Parker's South London accent and speaking cadence and those of The Streets frontman Mike Skinner, as heard on 'Dry Your Eyes'.


And that internet genius (@markypickard) went and did this, mashing up images from Parker's playing (and childhood commercial acting) career with his post-match video:


Tuesday, August 11, 2020

A Story

When I was young, there was a fellow who wandered around the neighborhood. His name was Ricky, as the kids on my block told me. He was like 19 or so. Something was a bit amiss with Ricky. He always wore an army jacket, and he always had a VERY serious look on his face. He didn’t loiter. He kept walking around. Thank goodness.

When I think of him, I kind remember him like the bodyguard in My Bodyguard, not the Whitney Houston film The Bodyguard but the 1980 film with Matt Dillon and Martin Mull and Adam Baldwin as the bodyguard. I think mostly I remember him like that because the character in the film is also named Ricky and wore an army jacket, but that’s not where the similarities ended. Anyway, Ricky was more than a little off.

When he spoke, which I prayed with all of my might that he would not do when we crossed paths (usually along the four-block walk to and from my school bus stop), it was usually unintelligible. Way out there.

Stories about Ricky were wild, because... well, kids will believe just about anything. Honest to God, the story we heard most often was that Ricky lost his cool and picked up a car and threw it into the swamp that was adjacent to my route to said bus stop. Even then we said “No way,” but when we heard it was a small car, we thought “Maybe.” As we got older, we thought perhaps he’d driven a car into the swamp. Any way we sliced it, we were told to be afraid. And we were afraid.

I never asked my parents about Ricky, mainly because the less I thought about Ricky, the happier a childhood I would have. I felt bad for him. I mean the guy clearly had no family. I guess, well, none of my friends ever talked about them. Or where he lived. I suppose my parents could have proactively explained Ricky, assuming they knew the details, but maybe they didn’t want to give my clucking henhouse of a circle of friends any chicken feed. Or maybe the less they thought about Ricky, the more they could sleep as parents. There but for the grace of God and all that jazz.

In retrospect it makes me sad. (I’m making an assumption about Ricky now, based on what I saw and remember from 40 years ago, but I feel pretty sure.) I worked for a nonprofit serving people with disabilities for 8 years, and when I think of the monstrous stories about a monstrous character that we created and propagated, that makes me feel lousy. Obviously fear does that to people. You’re afraid of what’s different, and he was just different. Well, plus it’s legitimately scary to a kid when a cross between an old kid and a young adult is ambling around your block saying words that don’t compute... and you have a strong sense that it’s not one of those times when an older person says stuff you don't understand because they are older and smarter and wiser.

The neighborhood where I grew up, like that of many people I know, was a site of blissfully ignorant youth in an era when you said bye to Mom as you were pedaling away on a summer morning and returned to base only for sustenance or because the sun went down. Ricky represented an element that did not go with that grain. At my current age, I realize that this must have been hardest — by a Larchmont mile — for poor Ricky. At age 8, we felt a little sorry for him but were mostly scared. And we managed that fear with group therapy (groups of friends telling predominantly fabricated stories) and establishing a common enemy to help us cope. I’m glad that, for the most part, I no longer need to do this in my life.

Anyway, in the last years before I forgot about Ricky, either because he no longer came around or because in 7th grade we moved to a new neighborhood, Ricky took to carrying a bag with him. I guess you’d call it a satchel, though that word isn’t very Ricky. As you’d guess, that accoutrement to his ensemble, as the descriptors venture further and further away from apropos, was fuel for a whole new batch of red-hot fables from the Lords of Buckingham Avenue, or whatever we were calling ourselves that week. Front. Page. News.

Why did he always have the bag? What’s that about? Where did he get it? And of course, most importantly, what in the world was in it? Top answers on the board included “a gun,” “knives,” “nunchucks” (one of my friends thought nunchucks were the baddest-assed thing ever and mentioned them as often as he could), and, of course, “a human head.” One kid thought Ricky might have a jar with his own excrement in it. That kid always said stuff like that to elicit a group “ewwwww, sick!”

We never knew what Ricky had in his satchel. Maybe comic books. Maybe a list of grievances. Could’ve been a human head or a poop jar. Could’ve been anything. Could’ve been nothing. But I’ll tell you this: whatever the hell it was, you could prop it up on a TV-tray next to a podium and run it as Joe Biden’s Vice Presidential candidate and that ticket should beat Donald Trump. 100 times out of 100, Sleepy Joe and Ricky’s Bag should sweep Trump/Pence out of the Oval Office in an electoral bludgeoning that makes Fritz Mondale feel emboldened. That’s what should happen.

Given that it’s the Democratic Party, National chapter, in the United States of America orchestrating this, however, well... that clouds the issue. As my JV football line coach used to say, they could fuck up a wet dream.

That’s what I think.

Monday, August 10, 2020

Felt 4 U

Mark turned me on to Murs' chill rap stylings several years ago, and I learned about Slug through his involvement with Minneapolis collective Atmosphere. I was yesterday days old when I realized the two of them had recorded three albums together as Felt.

The pair, elder statesmen in the indie rap game at this point, just released Felt 4 U, their fourth album. It's a head-nodding slow jam celebration, two dudes talking about wives and kids and remembering their youth in all its joy and dumbassery.

Here's 'Don't Do Me Like That'.

And if you've got 40 minutes, here's the whole record.

Saturday, August 08, 2020

A Scene

Sitting on the deck of the Nags Head cottage. The last 24 hours were spent with my first born, just Dad and his little girl. 

The two of us sat on the beach, swam in the ocean, watched a wicked thunderstorm roll through and then out to sea, stared at a mesmerizing clouded moon/lightning storm over the ocean, ate shrimp and crab, drank beers and seltzers, reminisced, talked about life and how funny/sad/amazing it is, imparted what passed for wisdom (me), grinned and tolerated it (her), listened to our favorite tunes from her youth, told stories, played cards and then beer pong (her request) (with water cups), expressed how important the other is in our lives, and said goodnight. 

And then goodbye, as she woke up and drove off to go be a college student starting this week.

In a weird circle of life thing, out of nowhere my Dad is currently driving down from Va Beach to visit the beach house where he spent the 80's and early 90's getting wild with my late stepmom. He's with his new bride, a wonderful human who has in many ways rejuvenated him. And he gets to come down for the first time in many years and impart some wisdom on his son while feasting on fresh seafood and drinking blended cocktails with family by the seaside.

Life... she gets me misty sometimes, but she ain't bad at all.



Friday, August 07, 2020

Staff Member Guestie: Requiem for a Scribe

Between trips to the liquor store, our man in the OBX penned this remembrance of Pete Hamill, a New York original and a throwback to a different era of newspaper man. Within it, Hamill's words, a turn of multiple phrases that'll leave you wishing you could ever write like that. "...the permanent present tense of the trade", indeed.

Pete Hamill’s death this week was another cruel reminder of the demise of newspapers and the people that made them part of the fabric of towns and cities everywhere.

Hamill was a columnist, magazine writer and best-selling author. He traveled the world, knew the famous and infamous, and wrote about people and places far and wide. But mostly, he was a newspaperman, New York through and through.

Born in Brooklyn, he wrote for five New York City papers and outlived three, as one of his obituaries put it.  His knowledge of the city was encyclopedic, but he once wrote, “In the end, the only thing the true New Yorker knows about New York is that it’s unknowable.”

Hamill was part of a vanishing breed of newspaperman – the columnist who tried to take the pulse of a

city, the reporter who is comfortable at city hall or a crime scene or a local tavern or a neighborhood fair, the sort of voice that caused people to reflexively pick up the paper to read what he thought.

New York was blessed with a slew of such voices, among them Jimmy Breslin, Mike McAlary, Russell Baker and Red Smith (Breslin wrote a column, on deadline, the night that John Lennon was assassinated that is equal parts wizardry and journalism).

Metro columnists were a staple and in some cases the face of city newspapers – Breslin and Hamill, Mike Royko in Chicago, Mike Barnicle in Boston, Jim Murray in Los Angeles, Herb Caen in San Francisco, Molly Ivins in Dallas and Fort Worth, Carl Hiaasen in Miami. Many of them died or moved on, and as newspaper staffs were gutted in the past 25 years, the position in many places was deemed expendable.

Many major newspapers still employ columnists, some of whom are excellent. But you won’t find David Brooks or Peggy Noonan or Leonard Pitts at Engine Co. 14 to talk about firemen’s pension funds or roasting city council members over budget shenanigans.

Hamill wrote with grace and empathy, a two-fingered-typing poet. He approached his work with an explorer’s curiosity. He often said that being a high school dropout and getting what he thought was a late start into newspapering – he was 25 when he landed his first job – were ample motivation. We are unlikely to see his kind again, thanks to the jackals of commerce and the march of time.

Enough gasbagging from me. Here’s an excerpt from one of Hamill’s collections:

“For me, the work itself was everything. I had grown up under the heroic spell of the Abstract Expressionist painters, and one of their lessons was that the essence of the work was the doing of it. … In my experience, nothing before or since could compare to walking into the New York Post at midnight, being sent into the dark, scary city on assignment, and coming back to write a story for the first edition. No day’s work was like any other’s, no story repeated any other in its details. Day after day, week after week, I loved being a newspaperman, living in the permanent present tense of the trade.

“This is not to claim that I’ve produced an uninterrupted series of amazements. Reading over a quarter-century of my journalism for this collection, I have often winced. If I’d only had another three inches of space, or another two hours beyond the deadline, perhaps this piece would have been better or that piece wiser. There were newspaper columns that I wish I’d never written, full of easy insult or cheap injury. There were many pieces limited by my ignorance. Too many lazily derived their energy from the breaking news to which they served as mere sidebars. … Sometimes I completely missed the point, or didn’t see the truth of a story whose facts were evidently there in my notebook. But this is not an apology. It is the nature of such work that that it is produced in a rush; the deadlines usually force the newspaper writer to publish a first draft because there is no time for a second or third. Once that piece is locked up in type and sent to the newsstands, there is no going back; the writer can correct the factual error, but it’s too late to deepen the insight, alter the mistaken or naïve judgment, erase the stale language that was taken off the rack. He or she can only vow never to make that error again and start fresh the next day.”

Thursday, August 06, 2020

Crime Against Nature

Oskar Blues is a legendary brewing company. They literally revolutionized the craft beer industry when they started canning Dale's Pale Ale in 2002. A few others in the market had begun canning their beers prior to OB, but the Lyons, Colorado-based brewer made the practice mainstream. And now, it's hard to find bottled craft beer, and for the better.

My palate has strayed from Dale's modestly-hopped formula to giant mega-dank fare like the Sixpoint Atomic-Res Triple IPA I'm drinking at the moment (It weighs in at 11.8% ABV, which is nice on those evenings when you only feel like having one or three.) Nevertheless, I'll always have a soft spot for Oskar Blues' flagship.

But the good people that brought you Dale's, and such terrific stuff as Mama's Little Yella Pils, Ten FIDY Imperial Stout, and Gubna have done something that I don't think is either wise nor forgivable: they brewed mustard beer.

I really like mustard. And I love beer. For the life of me, I can't imagine the two things combined, unless it's me quaffing a brew after biting into a hot dog. Here's how Oskar Blues describes their beer, brewed in partnership with French's (annotations mine):

"This is mustard that's sipped, not squeezed. [Ew] For National Mustard Day, we created the brightest brewski [Jeah, Bro!] you'll ever taste, perfect for summer barbecues. [It's no Dale's. Or Narragansett Del's Shandy. Or PBR. Or Truly.] It's a semi-tart tropical wheat beer infused with citrus fruits to complement French's Classic Yellow Mustard. [I just barfed.] The flavor includes hints of key lime, lemon, tangerine, and passion fruit to create a tart, refreshing match for the spice and zip of the mustard. [You already used tart once in this copy. Also, key lime and mustard are not flavors that go well together. Which is why I barfed again.] Grab a can and see for yourself. After all, it's mustard o'clock somewhere. [Fuck right off.]"

First one of you that tries one and writes a beer report gets my undying respect, a six-pack of Dale's, and an airsickness bag. Godspeed, my friends.

Tuesday, August 04, 2020

A Weed-Dealing Central Park Manatee? Sign Me Up.

As some of you may know, a good friend of mine is married to former SNL performer Bobby Moynihan's sister. He is a very good, humble, kind dude, so I unabashedly root for good things in his career. A recent CBS sitcom (Me, Myself and I) did not work out, but Bobby is scheduled to come back in a big way on Tina Fey's next NBC show. The show is untitled, but will star Ted Danson as a newbie mayor of LA. Tina Fey is joined by her producing partner Robert Carlock for this show. The two produced 30 Rock and Unbreakable Kimmy Schmidt together, so yeah, should be good stuff. Production has been shut down, but this show will get the full press push from the brass at NBC, which ordered a full season's worth of episodes. 

But I'm not here to talk about that. I'm here to talk about Loafy. Loafy is a Comedy Central show. Bobby created, wrote and executive produced the show. It's about the trials and tribulations of a weed-dealing manatee in Central Park. And yeah, Bobby voices the drug-dealing manatee. 

To quote Comedy Central's VP of Digital Original Entertainment, "...clearly, now more than ever, the world needs a weed-dealing manatee and more Bobby Moynihan - not necessarily in that order." 

I am certainly not an impartial judge, but Bobby has had a helluva run. Nine seasons at SNL, followed by an unbelievable voice-over run in both movies and TV. The dude has a lot of Gheorghe in him and is worth rooting for. Here is the trailer for Loafy. Charge your vape pen and get ready for Episode 1. 


Monday, August 03, 2020

All Day Long I Dream About...Murdering Polish Flies

Note: the author is 25% Polish and enjoys making jokes about that. If that offends you, stop reading now. 

I have a fly problem. Not a zipper issue. A legit "why the fuck are there three flies buzzing around our house all the time" issue. We are generally tidy folks. I clean my dishes promptly, we wipe down surfaces, we have a house-cleaner and we keep doors shut for the most part. But something happened in the last couple weeks. Some flies have gotten in. And it's tearing me apart.

All flies are gross and unpleasant. But these flies are also dumb as shit. They are the dumbest flies I've ever encountered. Sometimes, it can take quite a bit of time to swat an annoying fly in the house. They often hide within window treatments or find a crevice that offers them respite for a moment. Not these dumbasses. They're what I call Polish flies. They buzz around lethargically, daring me to kill them. And I do. Oh Lord, I do. I killed six yesterday. I easily swat them out of the air. And I don't even have to be quick when I bludgeon their little carcasses against a window. I have found the optimal swat velocity. The goal is to kill, but not create a streak that requires cleaning, and/or damage a screen. 

This situation is all quite gross, but I would rather avoid an exterminator visit. Who knows what chemical they will spray? How do I know it's safe, other than the person spraying says not to worry about it? What will it cost?  Will I have to do a thorough wipe-down of my house when the exterminator leaves? 

But on the flip side, we are all still in the house quite a bit, so having a fly-free space makes sense. Perhaps I'm the one who's more Polish than the flies. I just murder a bunch every day and wait for the problem to go away on its own. 

[Update: since this note was started, the fly issue has gone away. Perhaps the massacre of 50+ over the last two weeks spooked the others, or we got them all. The author's life-long habit of not fully addressing issues head-on, and instead hoping they will go away on their own, will persist as a result of this event.]

Sunday, August 02, 2020

A Return to Our Roots

The sublime Cereal Mascot All-Star Roster reminded me of the halcyon days of this web log, when our creative juices were flowing and we had all the time in the world to milk them. (Just go with it, man.) It also reminded me that I haven't had a bowl of cereal in years, but that's for a different post.

Back in those days, we used to do things like rank baseball card seasons and collegiate mascots, celebrate short people and cute rock babes, and otherwise compile lists of things that struck our fancy. We're (very slightly) more grown up now, and (again, very slightly) more of our content is semi-adult in nature. But it's hard to take the dipshit out of the boy. 

After reviewing a bunch of logos from a lot of leagues, the NFL seems really staid and boring. And maybe I'm just too familiar with Major League Baseball. Not much pops there. It could also be that I have a natural bias towards the more modern from a design perspective. For example, there are some cool WNBA logos, in particular the Chicago Sky, but that team's use of the game's equipment (a net, in this case) ruined it for me. There is one exception to this rule, as we'll see later.

And so, here's a definitive list of the five best team logos in American major professional sports, as defined by the following leagues (and using the logos presented on sportslogos.net - no secondary merchandising dollar grabs allowed):

WNBA
NWSL
NBA
MLS
MLB
NFL
NHL

The rules, if you must, are loosely these: the logo must be evocative of a team's region or name, not just abstract designs. No basic letter-centric logos are eligible (to which, sorry to the Boston Bruins and Montreal Canadiens, 'cause those are sharp looks, but I don't make the rules.) No cartoony shit. (Suck it, Pittsburgh Penguins.) Beyond that, the primary rule is, I know it when I see it.

Before we get to the judging, a few observations.

And so, on with it. Here are the honorable mentions:
Denver Nuggets (NBA)
Seattle Reign (NWSL)
Chicago Red Stars (NWSL)
Los Angeles Chargers (NFL)
New Orleans Saints (NFL)
Seattle Mariners (MLB)
Winnipeg Jets (NHL)
Milwaukee Bucks (NBA)
New York Liberty (WNBA)

A special shoutout to the Seattle Kraken, who are rising up the charts with their deep-sea design.

These are the worst logos in all of American sport:

Boston Breakers (NWSL) - the absolute worst; it looks like a youth soccer club logo designed by
someone's dad using MS Paint
Cleveland Browns (NFL)
San Jose Quakes (MLS)
Arizona Diamondbacks (MLB)
Anaheim Ducks (NHL)
Montreal Impact (MLS)
Real Salt Lake (MLS)
Connecticut Sun (WNBA)

And Jesus, but the Wizards logo looks like a poster for a porn film.

Alright. Enough with the preliminaries. Here's the definitive list of the five best logos in major American team sports. It's a mix of classic and contemporary, spanning multiple sports. Each of the logo, save one, has a strong regional connection. The one that doesn't is probably the most clever design in the bunch. And all of them feature distinctive designs that stand alone.

The Detroit Red Wings have used their singular flying wheel logo since 1932. It combines the Motor City's industrial foundation with a dynamism, a wheel in motion. It's classic, and classy.









The Golden State Warriors initially used a variation of their logo that featured the Golden Gate Bridge's iconic span in 1970, but the current version was introduced first in 2011 and updated to deepen the gold color and make the bridge design more crisp last season. Even without reading the words on the logo, you'd know where this team was from simply by the image. The asymmetry gives the design a sense of action. And it's cool.









The Portland Thorns have led the NWSL in attendance in each of the league's seven seasons. Their name and logo both nod to their hometown's nickname, the Rose City. The logo itself, designed by a Portland native, features a wreath of thorns protecting a stylized rose. It's feminine and badass, like the two-time NWSL champions.









The Milwaukee Brewers' logo breaks all the rules, and it feels so right. It's got letters, a design no-no. It features a baseball, going against the use of equipment. It doesn't have any direct visual connection to the team's home region. But it's really smartly done, and it's unique (with a nod to the late, lamented Montreal Expos).










I got the idea for this post while watching Minnesota United play last night. (Ironically, against the logollically-challenged San Jose Quakes). For my money, the Loons' design is the best in American pro sports. Celebrating the Minnesota state bird, and featuring 11 feathers - one for each player on the field - the logo also incorporates the Mississippi River (the blue band) and Minnesota's fabled Iron Range (the gray color). Finally, the twin bands of gray also represent St. Paul and Minneapolis. There's a lot captured in a single design, and it looks cool as hell. Which, as we know, is all that really matters.