Every good disaster needs a soundtrack, right? So let's get that ball rolling. I am beginning what I hope will be a collaborative series - the creation of a Post-Apocalypse soundtrack. We will donate all proceeds to our official charity - The Human Fund.
Track 1: "(Nothing But) Flowers" by Talking Heads - TR
I know I am preaching to the choir here when I praise David Byrne. He's a social commentator with the unusual gift of providing real-time, cogent critiques of popular culture in which he's immersed. The amazing Naive Melody (and its use in Wall Street) is one example (h/t to Ollie Stone for creating one of my favorite 80's montages ever). Link here.
(Nothing But) Flowers was released in the band's last album, 1988's Naked. I dig it. There is very much a Gen X vibe to the song, but its wistful, ironic lyrics still resonate today. Perhaps it influenced Douglas Coupland, who published Generation X three years later.
Track 2: "99 Luftballoons" by Nena [Live 1983] - Rob
Track 3: "Down With Disease" by Phish [Live 12/11/97] - Whitney
In point of fact, I'm not the hugest Phish fan. I like 'em; I've seen them once live (Portsmouth 2011) and watched them via live streaming a dozen times or more because a number of my friends enjoy them and will put it on the big TV with folks over. They entertain, they have some virtuosity, and they don't take themselves seriously.
The cassette for the album Hoist was hurled into the air by some radio deejay at a pre-Preakness outdoor music show in the streets of Baltimore on night in 1994. I caught it. I listened to it. I liked it a lot. I've learned virtually no other Phish stuff through the years (save "Bouncing Around the Room," "Wilson," "Tweezer," and one or two others), but I know this album pretty damn well. It's a rock album more than a jam album. Anyway, this song seems to be unfortunately fitting, so here's what is deemed by the Phish peeps as one of the best-ever renditions, Rochester '97.
It looks like the new internet piracy laws are stalled in Congress, and so the G:TB and other venerable institutions will have no legal recourse when sketchy organizations like Sports Illustrated and Grantland rip us off. We'll just have to remain one step ahead of them.
Last month, I dreamed up a feature called "Songs I Am Loath to Admit I Do Not Loathe," which is not only grammatically instructional but also loads of fun for the whole family. Soon after, Grantland debuted their ersatz version, which they lamely subtitled "Revealing the Tunes We Hate to Love." What can you do? It's the Wild West out here. Instead of complaining, I am going to turn the tables on those plagiarist fuckers and write about a song that I actually love-- a song I have always loved-- but a song that only recently started making sense. I'm talking about The Talking Heads' song "Once In A Lifetime."
This is difficult, as I don't want to betray G:TB's masthead and shibboleth, and take myself too seriously. It's much easier, in my old age, to be ironic about pop music. I rarely get the same profound emotional response from music now that I got when I was a kid. Though your bands may have been different, you know what I mean; your emotions were the same. Music could take you to a different planet: Houses of the Holy and Dark Side of the Moon. It could get you wound up: AC/DC and The Cult. It could make you feel subversive: The Minutemen and Black Flag and Minor Threat. It could rock: Sound Garden and Jane's Addiction and Alice in Chains. It could groove: The Clash and INXS and The Jam. And it could make you feel hip: Paul's Boutique and Public Enemy.
But as I got older, it got harder and harder for music to penetrate my consciousness. After college, I started getting into jazz and classical music, and my pop music taste tended towards the ironic psychedelia of Ween. And The Talking Heads. After a frenetic day of teaching math to emotionally disturbed kids, I would unwind by playing Road Rash on the Sega Genesis (I conquered that game, defeated every level, got all the way to the secret "cop level" . . . and the end of the game was so disappointing that I never played video games again). And while I whipped other motorcyclists with chains, beat them with clubs, or whacked them with nunchaku, I would simultaneously listen to either Ween's The Pod, or The Talking Heads.
These days I constantly need new and different music to even pique my interest-- obscure funk and baroque instrumental, Afro-Cuban jazz and underground albino hip-hop (thanks Mark!), mashed up masterpieces by The Hood Internet and Girl Talk. But there are a few of the old bands that still do it for me. While it's hard for me to go back to the days of "Fire Woman," I can still throw on London Calling or Exile on Main Street. And I can still listen to The Talking Heads.
And so I was listening to "Once In A Lifetime" last week and it really hit home. I am lucky enough to say that David Byrne's opening monologue literally applies to my life.
I have found myself living in another part of the world. I have found myself in a beautiful house, with a beautiful wife. And I have asked myself: well . . . how did I get here?
I am sure there are people that have never asked themselves, "How did I get here?" I am sure there are people who imagine this is how it should go down: nice house, cute wife, big car, but not me. I am always thinking: "This is not my beautiful house . . . this is not my beautiful wife . . . how did I get here?" I have traveled the world. My wife is charming, slender, and attractive. I slice peppers on a granite counter-top in a remodeled kitchen. I have blonde kids. Blonde kids? I am swarthy. And hairy. My friend Melanie once said: "it looks like you stole your children."
I often feel as if I'm having an outer body experience, I'm at the pool, chatting with other moms and dads, my kids swimming around, and I can't believe it. It's like I've infiltrated a secret club. I feel as if I deserve none of this. I appear normal, successful. House, job, wife, etc. I go to dinner parties. How? And I wonder: "Is everyone else winging it? Is everyone else an idiot like me?" Igor gives his weekly report in the comments: he's working his ass off, attending fundraisers, finding employment for disabled folks. How did this happen?
In a week's time, we are getting a dog. A DOG. I love dogs, but it seems like another piece in this bizarre puzzle; now I'll be walking through the park with my two blonde kids and a dog and people will think I'm normal. They will have no knowledge of my actual record with pets, which includes losing a lizard for several months in the dorm room I shared with Rob; having to euthanize another pet lizard of mine because a friend's lizard paralyzed my lizard-- and my euthanization was more cruel than the paralysis-- as I unsuccessfully tried to drown the lizard (iguanas can hold their breath a long time!) and then gas him with with exhaust from my car (my hand starting burning before the lizard croaked) and then finally (and successfully) put him down with a large board. I lost a ghetto conure out an open window. I inadvertently and unknowingly kicked the plug out and froze a monitor lizard to death. I kept a pet box turtle in a house with eight other guys, a box turtle that was allowed to roam loose on the second floor, and would occasionally stumble over the foot of the stairs and clunk down them like a bowling ball. No one will know this when they see me walking my dog.
Getting a dog is even weirder than having children because getting a dog is so premeditated. You have a family meeting and everyone agrees that they want a dog and everyone agrees they will help care for the dog . . . even though you know it's bullshit, and that the kids will love the dog and play with the dog, but rarely care for it. This isn't like having children. Having children you have a different sort of "meeting," and there's not much talk of responsibility-- the meeting is quite fun, in fact, and then nine months later you wonder: "How did I get here? And how did he get here?" But with the dog, you choose to get there, and that's where I am. Living in the song.
And sometimes I think "MY GOD! WHAT HAVE I DONE!"
That's why I'm still driving my 1993 Jeep Cherokee. I've been shopping for a "large automobile" for four years or so-- we've saved the money, done the research, gotten quotes, talked to dealers-- but I can't pull the trigger. I can't add a mini-van to this equation as well. But I will. Things will become even more absurd. This Honda commercial is geared for me and people like me-- people who can't believe they are in the market for a mini-van. It's a brilliant commercial, as it both satirizes the desire and also makes it seem okay. But I'm smarter than an advertising campaign. Right?
My two blonde kids and dog will pile out of the mini-van, and I'll look at the situation and think: "Where does that highway go?" Is this really the life for me? Maybe I should drive my mini-van off the grid. Maybe I should be in a motorcycle gang or bumming around on the beaches of Thailand or helping refugees in Haiti or working as a fishing guide on the Mississippi. But David Byrne reminds us that none of this was actually in our hands to begin with, that we'll go "into the blue again once the money's gone."
It's the "same as it ever was." And so I will let the days go by, and try not to think about how weird everything is. And consider myself incredibly lucky that my life is like "Once in a Lifetime" and not this Talking Heads tune . . .
Talking Heads
Once in a Lifetime (1984)
Once In A Lifetime
And you may find yourself living in a shotgun shack,
And you may find yourself in another part of the world,
And you may find yourself behind the wheel of a large automobile,
And you may find yourself in a beautiful house, with a beautiful wife,
And you may ask yourself-Well...How did I get here?
Letting the days go by/let the water hold me down
Letting the days go by/water flowing underground
Into the blue again/after the money's gone
Once in a lifetime/water flowing underground.
And you may ask yourself
How do I work this?
And you may ask yourself
Where is that large automobile?
And you may tell yourself
This is not my beautiful house!
And you may tell yourself
This is not my beautiful wife!
Letting the days go by/let the water hold me down
Letting the days go by/water flowing underground
Into the blue again/after the money's gone
Once in a lifetime/water flowing underground.
Same as it ever was...Same as it ever was...Same as it ever was...
Same as it ever was...Same as it ever was...Same as it ever was...
Same as it ever was...Same as it ever was...
Water dissolving...and water removing
There is water at the bottom of the ocean
Carry the water at the bottom of the ocean
Remove the water at the bottom of the ocean!
Letting the days go by/let the water hold me down
Letting the days go by/water flowing underground
Into the blue again/in the silent water
Under the rocks and stones/there is water underground.
Letting the days go by/let the water hold me down
Letting the days go by/water flowing underground
Into the blue again/after the money's gone
Once in a lifetime/water flowing underground.
And you may ask yourself
What is that beautiful house?
And you may ask yourself
Where does that highway go?
And you may ask yourself
Am I right?...Am I wrong?
And you may tell yourself
MY GOD!...WHAT HAVE I DONE?
Letting the days go by/let the water hold me down
Letting the days go by/water flowing underground
Into the blue again/in the silent water
Under the rocks and stones/there is water underground.
Letting the days go by/let the water hold me down
Letting the days go by/water flowing underground
Into the blue again/after the money's gone
Once in a lifetime/water flowing underground.
Same as it ever was...Same as it ever was...Same as it ever was...
Same as it ever was...Same as it ever was...Same as it ever was...
Same as it ever was...Same as it ever was...
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