Showing posts with label Dave's a killer. Show all posts
Showing posts with label Dave's a killer. Show all posts
Wednesday, March 02, 2022
Monday, March 02, 2020
Recurring Bit, 50th Anniversary Version
“I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living. It's a way of looking at life through the wrong end of a telescope, which is what I do. And that enables you to laugh at life's realities.” -- Theodore Seuss Geisel
Dr. Seuss would have turned 120 on March 2, 2020. Not coincidentally, one of his more obscure but nonetheless beloved characters celebrates the 50th anniversary of his birth this very same day. As the good doctor wrote about this uniquely Seussian character, “Today you are you, that is truer than true. There is no one alive who is youer than you.”
Dr. Seuss would have turned 120 on March 2, 2020. Not coincidentally, one of his more obscure but nonetheless beloved characters celebrates the 50th anniversary of his birth this very same day. As the good doctor wrote about this uniquely Seussian character, “Today you are you, that is truer than true. There is no one alive who is youer than you.”
Our goal is to keep doing this blog long enough that we have enough content that recurs on a specific day to cover the entire year, thusly pre-filling our editorial calendar. We're getting there.
Saturday, March 02, 2019
Recurring Bit, Receded Hairline
“I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living. It's a way of looking at life through the wrong end of a telescope, which is what I do. And that enables you to laugh at life's realities.” -- Theodore Seuss Geisel
Dr. Seuss would have turned 115 on March 2, 2015. Not coincidentally, one of his more obscure but nonetheless beloved characters celebrates the 49th anniversary of his birth this very same day. As the good doctor wrote about this uniquely Seussian character, “Today you are you, that is truer than true. There is no one alive who is youer than you.”
Dr. Seuss would have turned 115 on March 2, 2015. Not coincidentally, one of his more obscure but nonetheless beloved characters celebrates the 49th anniversary of his birth this very same day. As the good doctor wrote about this uniquely Seussian character, “Today you are you, that is truer than true. There is no one alive who is youer than you.”
Our goal is to keep doing this blog long enough that we have enough content that recurs on a specific day to cover the entire year, thusly pre-filling our editorial calendar. We're getting there.
Saturday, October 08, 2016
G:TB Blows Up
Dave mocked it, because he couldn't understand it. To be fair, Dave has a mental disorder that makes him unable to comprehend normal human emotional range, but he still mocked it.
Davo and Rog understood it, though.
A few short days ago, in celebration of the news that Bob Bradley had been tabbed as the first American manager of an English Premier League side, I tweeted a decidedly mixed message.
The point of this hyperbolic sentiment was that Bradley's tenure as Swansea manager will have an outsized impact on the future of American soccer. If he succeeds, doors open for American coaches and players. If he fails, if the pressure, or the media, or the fans, or the fact that he doesn't have great players at the moment conspire to see Swansea relegated this Spring, then doors close to Americans for a long time. Bob Bradley carries a lot of weight on his American shoulders.
Men in Blazers' Twitter feed retweeted my take, which earned me fleeting internet fame, as well as Dave's derision when I mentioned it in the GTB comments.
But yesterday, America's leading soccer podcast doubled down on my genius. Check out the most recent Men in Blazers podcast, and skip ahead to 22:15. Check in a few minutes earlier if you want context.
If you're too lazy to go to the audio, here's the transcript: "@batogato tweeted us beautifully," said Roger Bennett, before reading the tweet. "You couldn't have put it better. Starting October 15, the whole of this country will be cheering for Bob. Godspeed."
I'm a pretty big deal.
Davo and Rog understood it, though.
A few short days ago, in celebration of the news that Bob Bradley had been tabbed as the first American manager of an English Premier League side, I tweeted a decidedly mixed message.
The point of this hyperbolic sentiment was that Bradley's tenure as Swansea manager will have an outsized impact on the future of American soccer. If he succeeds, doors open for American coaches and players. If he fails, if the pressure, or the media, or the fans, or the fact that he doesn't have great players at the moment conspire to see Swansea relegated this Spring, then doors close to Americans for a long time. Bob Bradley carries a lot of weight on his American shoulders.
Men in Blazers' Twitter feed retweeted my take, which earned me fleeting internet fame, as well as Dave's derision when I mentioned it in the GTB comments.
But yesterday, America's leading soccer podcast doubled down on my genius. Check out the most recent Men in Blazers podcast, and skip ahead to 22:15. Check in a few minutes earlier if you want context.
If you're too lazy to go to the audio, here's the transcript: "@batogato tweeted us beautifully," said Roger Bennett, before reading the tweet. "You couldn't have put it better. Starting October 15, the whole of this country will be cheering for Bob. Godspeed."
I'm a pretty big deal.
Friday, June 05, 2015
The Scourge of New Jersey
If Dave is to be believed, Jerseyites need beware. There's a dangerous, fiendish, and very, very persistent new menace on the loose.
Fortunately, Dave is rarely to be believed.
Fortunately, Dave is rarely to be believed.
Monday, March 02, 2015
Reduce, Reuse, Recycle
“I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living. It's a way of looking at life through the wrong end of a telescope, which is what I do. And that enables you to laugh at life's realities.” -- Theodore Seuss Geisel
Dr. Seuss would have turned 111 on March 2, 2015. Not coincidentally, one of his more obscure but nonetheless beloved characters celebrates the 45th anniversary of his birth this very same day. As the good doctor wrote about this uniquely Seussian character, “Today you are you, that is truer than true. There is no one alive who is youer than you.”
Dr. Seuss would have turned 111 on March 2, 2015. Not coincidentally, one of his more obscure but nonetheless beloved characters celebrates the 45th anniversary of his birth this very same day. As the good doctor wrote about this uniquely Seussian character, “Today you are you, that is truer than true. There is no one alive who is youer than you.”
Thursday, December 18, 2014
Gheorghemas Day Seven (of a Possible Dozen)
On the seventh day of Gheorghemas, Big Gheorghe gave to me...
Seven Books For Reading (Seriously)
Six Beers Worth Drinking
A fiiiiifth Golden Ring..... (please?)
Four Years of Marcus;
Three Scummers Picking;
Two albums to look forward to; and
A fat guy in a jersey
Last year, I read twenty-two books (according to my Gheorghemas post). Not too shabby, if you look at how many books most Americans read each year. And many of these books were either long or difficult . . . or both: Infinite Jest, The Goldfinch, Far From the Tree, Columbine, etc.
Congrats to me.
Though I titled last year's post Seven Books for Reading, it might have been better titled: Seven Books You Can Brag That You Read (To Other Elitist Bastards). I'm proud I powered through them, but I'm not sure they were practical recommendations.
This year, however, was different. This year I read a shitload of books-- many of them short and many of them easy (two superb traits that our fearless leader Rob possesses). Plus, I was really sick in the spring with the flu and bronchitis, and I went on a cross-country trip for much of the summer. So I had some serious reading opportunities. I am proud to say that I read forty-six books, and many of them are actually books for reading: crime fiction and travel and sports and financial stuff. Here are the seven most memorable-- and I've included the covers so you can judge them:
1) The Sixth Extinction: an Unnatural History by Elizabeth Kolbert
Megafauna and an impending biological apocalypse (if you're partial to humans). This is the only "serious" book on the list, but it's vivid, surprisingly readable, and contains information vital to human survival-- so you might want to skip it and move down to the crime-thrillers.
2) The Cold Cold Ground by Adrian Mckinty
It's 1981, and a hipster Catholic cop (who is partial to The Clash) treads some dangerous ground: he's a member of the Belfast RUC, the mainly Protestant police force . . . and being the token Catholic on the force is difficult enough, but he's also simultaneously dealing with the constant civil unrest and a bona fide serial killer. Read the trilogy.
3) Play Their Hearts Out: A Coach, His Star Recruit, and the Youth Basketball Machine by George Dohrmann
If you're a parent and/or a coach, you need to read this book. It's a wild ride, full of highs and lows, despicable characters and inspirational moments, and it will change the way you view youth sports. A Mark recommendation.
4) The Power of the Dog by Don Winslow
I read this in August, while I sat on the beach at Sea Isle City, surrounded by my friends and family. While they laughed and had good times, I was immersed in a world of DEA agents, drug cartels, and torture. LOTS of torture. Winslow reads like a blend of two of my favorite authors: James Ellroy and Elmore Leonard; after I read this one, I went on a Winslow binge: Savages, The Winter of Frankie Machine, The Dawn Patrol . . . they are all worth reading.
5) Ready Player One by Ernest Kline
This book was so entertaining that I felt guilty while reading it. I recommend it to anyone enjoys references to Joust, Zork, TRS-80, War Games, Pac Man, John Hughes, Dungeons and Dragons, and things of that ilk.
6) Another Great Day at Sea: Life Aboard the U.S.S. George H. W. Bush by Geoff Dyer
British critic Geoff Dyer is a professional grouch and a fantastic writer-- I'll read just about anything he writes (even an entire book about a nearly unwatchable science-fiction movie). To write this relatively short book, he crammed his long and rangy body into an aircraft carrier for a few weeks; then, in spectacular Geoff Dyer fashion, he just hung around, complained a bit, and observed how things went: his insight is alternately absurd and inspirational . . . and if you've never been in the military, then this book is not only entertaining, but it's also educational (warning: if you're on the flight deck, watch out for the cables!)
7) A three way tie: Flash Boys, David and Goliath, and Think Like a Freak
Michael Lewis, Malcolm Gladwell, and the Levitt/Dubner duo have been churning out some of the slickest, most entertaining, and totally excellent non-fiction ever written. Even though these these three books will probably be considered minor efforts in their collective oeuvre, they were still totally entertaining and totally worth reading. Flash Boys sheds light on the dark and weird world of high-frequency trading; David and Goliath turns multiple underdog stories upside-down; and Think Like a Freak explains what David Lee Roth and King Solomon have in common.
Below is my entire list of books from 2014. Right now I am reading The Gentleman's Hour by Don Winslow and A History of the American People by Paul Johnson. I will certainly finish the Winslow book; it's a crime thriller set in San Diego-- lots of surfing, drugs, and male camaraderie, but I doubt I will get through the Paul Johnson tome . . . but there's always next year.
The Unwinding: An Inner History of the New America, After the Music Stopped: The Financial Crisis, the Response, and the Work Ahead , What I Learned Losing a Million Dollars, The Cold Cold Ground, American Hippopotamus , Play Their Hearts Out: A Coach, His Star Recruit, and the Youth Basketball Machine, Futebol: The Brazilian Way of Life, Looking for Alaska, The Lizard King: The True Crimes and Passions of the World's Greatest Reptile Smugglers, The Improbability Principle, The Sixth Extinction: An Unnatural History, The Interestings, Dare Me, All Joy and No Fun: The Paradox of Modern Parenthood, Brain on Fire: My Month of Madness, You Should Have Known, Dog Soldiers, Lost in My Own Backyard, Expiration Date, The Improbability Principle, Flash Boys, The Noble Hustle: Poker, Beef Jerky and Death, It's Complicated: the social lives of networked teens, Stuff Matters: Exploring the Marvelous Materials that Shape Our Man-Made World, Another Great Day at Sea: Life Aboard the USS George H.W. Bush, No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State , Travels with Charley, The Lost Continent, Ungifted: Intelligence Redefined, The Truth About Talent, Practice, Creativity, and the Many Paths to Greatness , Empire's Workshop: Latin America, the United States, and the Rise of the New Imperialism, Power of the Dog, The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies, I Hear the Sirens in the Street, David and Goliath: Underdogs, Misfits, and the Art of Battling Giants, Uncharted: Big Data as a Lens on Human Culture, Think Like a Freak, Bad Land: An American Romance, Shelter, Ready Player One, The Fever , Over Easy, The Teacher Wars: A History of America's Most Embattled Profession, Savages, The Winter of Frankie Machine, Dawn Patrol, How We Got to Now: Six Innovations That Made the Modern World
Sunday, November 18, 2012
Did Dave Defend His Title?
My friends Eric and Liz hosted their Third Annual Scary Story Contest on Friday night, and I know all of you are wondering: Did Dave defend his title? Was he able to top last year's brilliant story?
For a synopsis of the event itself, head over to Sentence of Dave.
But if you just want the answer to the question, then here it is: Fuck yeah!
The competition was stiff, but I won Best Story and took home the big money, and I even grabbed a few votes for Scariest Story, despite the fact that I don't have a scary bone in my body.
Here is my Award Winning Scary Story for 2012. Enjoy. Right after my story, is my eight year old son Alex's story . . . he wanted to enter and dictated this to me moments before we left the house. The babysitter probably thought we were insane. His story is rather similar to mine, which might say something about my depth and sophistication as a writer.
For a synopsis of the event itself, head over to Sentence of Dave.
But if you just want the answer to the question, then here it is: Fuck yeah!
The competition was stiff, but I won Best Story and took home the big money, and I even grabbed a few votes for Scariest Story, despite the fact that I don't have a scary bone in my body.
Here is my Award Winning Scary Story for 2012. Enjoy. Right after my story, is my eight year old son Alex's story . . . he wanted to enter and dictated this to me moments before we left the house. The babysitter probably thought we were insane. His story is rather similar to mine, which might say something about my depth and sophistication as a writer.
DOXY 517
Stanley Wetherbaum, divorcée and father of two, emerged from the door of his Craftsman-style ranch. He stood on the gabled front porch for a moment, breathing in the crisp fall air, and then hopped down his front steps. His face and clothes were covered with blood, and he held a small curved bone in his right hand.
Mary Chen made a similar exit from her green Cape Cod across the street. Her white blouse and brown slacks were spattered with gore. One pant leg was torn at the hip, Stanley noted, revealing a sturdy but not so unattractive slice of haunch.
Mary Chen made a similar exit from her green Cape Cod across the street. Her white blouse and brown slacks were spattered with gore. One pant leg was torn at the hip, Stanley noted, revealing a sturdy but not so unattractive slice of haunch.
Stanley waved his daughter’s rib bone at Mary. He shouted, “I killed Iris. Ripped out her jugular and ate her heart and liver.”
Mary shrugged her shoulders. “DOXY 517, I guess.”
They walked across their lawns and met in the road.
“I killed Timothy,” Mary said.
“You did? How did you catch him?” Timothy ran cross-country for the high school. He made varsity as a freshman.
“I didn’t have to. He was playing his DX. I always told him: ‘when you’re playing that thing, the whole house could be burning down.’ I hit him in the head with the pointy end of my iron. Then I ate his brains.” Mary suppressed a giggle.
Stanley looked up and down his street. It was empty. A quiet Sunday morning, for the most part. Sparrows chirping. An occasional siren or scream, but in the distance.
Mary said, “Should we turn ourselves in?”
“Haven’t you been watching the news? The police are a wreck. They were on the front line, with no information. It’s only some of the military that were able to get inoculated. Ironic, right?”
“Bio-weapons . . .” Mary shook her head. “Nuclear wasn’t enough?”
Stanley turned and looked at his house. The cedar shake siding needed a paint job.
“I think Anna’s hiding in the attic,” he said.
“Do you want to eat her?”
“Not right now, but I ate her rabbit. I’m sure I’ll want to eat her later. Children and animals, that’s what they said.”
“I tried to catch the cat, but I fell down the steps on the deck.” She laughed and pointed to the rip in her slacks. “Do you want to eat me?”
Stanley thought for a moment. “No. I’m full, but even if I wasn’t, I still don’t think I’d want to eat you. I think I want to go inside and digest. Maybe lie down and take a nap. Listen for Anna.” Stanley scratched his blood spattered chin with Iris’s rib bone. “Do you want to eat me? Do I look tempting?”
“No,” Mary said. “Not right now, but I wouldn’t trust that.”
“DOXY 517,” they sighed in unison.
“It’s not our fault,” Stanley said. He took a look at that sliver of exposed leg. Smooth olive skin. He decided to take a chance. Normally, a stocky, small-breasted Asian widow wouldn’t be his type, but things were different now. He took a deep breath, and then went for it.
“Later,” he said, “after we digest, do you want to hunt down that chubby Greek kid from up the street . . . the Fondakakis kid? Do you want to hunt him down, kill him, eat his brains, and then have sex over his dead body?”
Mary thought for a moment, and then said, “Yes. Yes I would. I would like that.”
“We might as well enjoy it. Like drones weren’t enough. They always have to have something new. Even if they sort it all out, they’ll never be able to press charges.”
“You’re right, “Mary said. “We might as well enjoy it. I don’t feel like a ‘rabid zombie.’”
“Katie Couric didn’t know what she was talking about.”
“I’m sure she was able to get inoculated,” Mary said.
“I don’t feel anything like a zombie. If anything, I feel more alive. Hyper-alive. And I don’t feel a bit of guilt. You know what? In the sixties they had their free love, and in the seventies they had cocaine and disco, and-- what did they have in the eighties?”
“More drugs?” Mary was having a hard time following this.
“Right, more drugs and synthesizers and punk rock. And what did we get? What did our generation get? Nothing. A bad economy. This is our thing. This is our Woodstock.”
“We did get the short end of the stick.”
“If I find my daughter, I’m going to rip her eyes out and swallow them whole.”
“I don’t feel guilty either,” Mary mused.
“I used to feel guilty if I used a single plastic grocery bag. This is liberating. I was so sick of driving Iris and Anna to dance practice.”
“It’s nice when they get to high school,” Mary said. “They can take care of themselves. Go to their own activities.” Mary trailed off, thinking about all the children and all the activities they would no longer be participating in.
Stanley said, “You look exhausted. Go get some sleep and digest. We’ll meet in a few hours.”
* * *
Anna lay still in the attic. She had wedged herself between the joists so she could see through a slit in the vent. She could see her father and Mrs. Chen talking in the street. Not talking, really. Grunting and chittering. She couldn’t understand a word of it. They were covered in blood, and they both kept making jerky, sudden movements, like marionettes. That was one of the effects of the viral prions. Degradation of motor skills. The insulation made her legs itch, but that was the least of her worries. She was prey. Animals and children, that’s what they wanted. She didn’t think anything could have been worse than her parents’ divorce, but this was worse. This was all the parents. Total divorce. Was her mother doing the same thing, at this very moment? Mumbling gibberish and eating her step-brothers? Tears ran down her face and fell into the pink fiberglass. Iris was dead. Really dead. Anna had never felt so sad and alone.
Her dad started back for the house. She wasn’t going to think of him as her dad any longer, she decided. Even if he did remember how to get through the access panel and into the attic, he still wouldn’t be able to shimmy through the crawl space the way she could. He would either fall through the ceiling or get stuck. And the way he was spazzing around, there was no way he could climb up and in. She was safe, for the time being. But what could she do? Where could she go? All the kids were left alone now. Hunted. Until they were old enough to catch the virus, until their hormones tapered off . . . the man on the news said around drinking age. Twenty-one or twenty two. Maybe in ten years they would have a cure. How could she survive until then? How long did food in a can last?
She heard her father enter the house, knock around and moan a bit, and then it was silent, except for the TV. She could hear the voice of the newscaster, but not make out what he was actually saying. Her neck was tired from craning. She desperately wanted to get out of the house, but she knew she had to wait until dark. She closed her eyes and rested her head on her arm. She imagined an island, full of children, with fruit on the trees and fish in the water. A safe place.
* * *
Several hours later, Stanley awoke from his nap. The TV was too loud, but he couldn’t find the remote. A bald man in an army uniform was recommending that all “infected” people stay in their homes and wait. “Just stay put and wait it out. Help is on the way,” the general said, and then looked to his left, off-camera.
Stanley got up and wandered outside. The street was empty. It was late afternoon. He had slept for a long time. He thought about that piece of Mary’s leg, those ripped slacks, and decided that he would knock on her door. See if she was up for it. Hopefully, she wasn’t taking the guy on TV seriously.
He knocked several times, but got no answer. He looked in the window, but all he could see were Timothy’s feet, protruding from the kitchen. The rest of his body was obscured. He didn’t want to just walk in, that would be presumptuous, so he went around the side, to the fence gate. He knocked on it, and then noticed that it was unlocked. He thought he heard something from her backyard. He pushed the fence gate open and went back.
“Mary?”
Mary was on all fours, her bloody face buried in the Fondakakis kid’s belly. Her pants were down, and the Fondakakis kid’s father was behind her, pumping away like a wild animal. In broad daylight, rutting like beasts.
Mary heard her name over the grunting. She raised her head out of the boy’s viscera, wiped off her mouth and looked at Stanley. She could see how hurt he was.
“DOXY 517?” she said in a small voice.
“DOXY 517,” Stanley sadly agreed.
Charlie Fondakakis stopped thrusting and also looked at Stanley. His shirt was unbuttoned to the navel. He was fat, hairy, and bloody. Stanley was appalled. He looked away. He wasn’t even jealous. He was disappointed . . . disappointed in her choice, but what could he do? She could have waited. This wasn’t civilized. He turned, shoulders hunched, and shuffled off. He felt sad and alone. He wanted to find his daughter and smash her head in. He wanted to bite a dog or a raccoon or a possum. He knew it was stupid, and he knew he would end up fat -- fat like Charlie Fondakakis -- but he was angry and lonely, and he wanted to feed.
Charlie and Mary got back to it. Stanley listlessly walked through the gate, head down, gazing at his blood-covered sneakers. He didn’t see his daughter slip out of the house, into the coming dusk. Anna saw him, though . . . took one last look at what was once her father, listened one last time to his subhuman grunts and growls, and then she ran into the night, in search of bigger kids . . . kids who would know what to do. Maybe they had guns or sharp knives, or a place to hide out. Maybe someone knew how to drive. She resigned herself to the fact that the adults were gone, and she was on her own in a grim and ugly world.
Now here is my son Alex's story. Note the parallels, despite the fact that he did not know a thing about my story. Also, note his liberal use of ellipses . . . he considers ellipses to be an absolute must for a scary story, and told his younger brother: "Every scary story ends with DOT DOT DOT!"
Dead People
Once there was a hobo. People threw stuff at him because he smelled. One time somebody threw a rock at his head and he fell over and went down a hill and into a stream and floated into the sewer. In there, somehow, he turned into a zombie, and then he went back to where he usually lived.
At first, people were scared of him. Then, people started throwing stuff at him again. One of them got too close and . . .
Then he met another zombie. His name was Dead-Eye. He could see everything in the whole world. They were planning to eat the king of the world. This was the year 2380. When he called a meeting of the United States of America, they came and ganged up on him, and ate him. Then the zombies ate everyone in the meeting. Soon they ate everybody in the world. Then they took a rocket-ship and floated to Mars, to see if there were any aliens to eat.
But there was one person left on earth. The ship was headed back. Is that one person you . . . ?
Tuesday, September 06, 2011
Dave's Dozen: The Twelve Best Television Shows of All Time
The Golden Age of Science Fiction happened from the late 1930's through the 1950's. Authors such as Arthur C. Clarke, Ray Bradbury, Isaac Asimov, Robert Heinlen, Clifford Simak, and L Sprague de Camp pushed the genre beyond its pulp roots, and created all the tropes that are still being used today. It seems unfair that such a short period of time gets all the glory, but that's the way art works: Shakespeare was brilliant, but he was also born at the right time and the right place. There was no TV, the theater business was thriving, and-- finally-- entertainment didn't have to have a moral message. And so The Bard was off to the races.
In case you weren't aware . . . The Golden Age of Television is now. I really thought Night Court was funny when I was a kid, but looking back, maybe I was retarded.
Night Court could never hold its own against Curb Your Enthusiasm. Devoted sister, beloved . . . even thinking of that episode of Curb Your Enthusiasm makes me laugh. I'd put up the clip, but this is a family blog.
So put aside your nostalgia for a moment-- not that I don't fondly remember Mork and Mindy . . . but my memory is distorted by some sort of demented rose-colored glasses-- and actually watch an episode of one of these old shows that you love to reminisce about. Land of the Lost or Fantasy Island or Dallas or Love Boat or Get A Life or my favorite, WKRP in Cincinnati. You'll see. They have no chance against the shows of today. Unlike sports, where it's impossible to ever see how Mohammad Ali would fare against Mike Tyson, or if Babe Ruth could hit as many home runs in the era of relief pitching, it's relatively easy to pit one television show against another. Simply watch them in succession. Try an episode of The Commish and then watch the pilot of The Shield. You'll see. You will then say to yourself: Dave is right . . . we are living in the Golden Age of Television.
Some perfect storm of cable, TIVO, product placement and advertisement money, streaming video, viral marketing, DVD purchases, and a wide ranging captive audience have created a market for shows as stupid and trashy as you want (Real Housewives of X, Dancing with the Stars, Temptation Island, Jersey Shore, etc.) and as smart and clever as you need. So my list is going to be top-heavy with recent shows. That's on purpose and that's correct.
Steven Johnson explains part of this phenomenon in his book Everything Bad is Good For You: How Today's Popular Culture is Actually Making Us Smarter; in the past, before digital media and TIVO, even before the widespread use of the VCR, a television show had to be immediately accessible. When you turned on the TV, even if it was the middle of an episode in the middle of a season, the show had to explain itself because there was the possibility of a new viewer, and they had no way to access previous shows. So each episode was usually insular, with limited running jokes, and the plot threads were simple and easy to sort out. But with the advent of digital media, writers stopped needing to place those "flashing arrows" any longer . . . some shows, like The Shield are nice enough to have a "previously on The Shield" segment at the start, but at the beginning of a new season of Breaking Bad, I need to consult Wikipedia to remember all that has happened. And it's in the best interest of the show to be as clever and complicated and dense as possible, because then people want want to watch it several more times, and so they'll stream it or buy it or watch clips of it, all adding revenue to the industry. It's The Golden Age.
So MASH doesn't make the list-- not that it would ever make my list. Cheers almost made it, until I replaced it with 30 Rock. Arrested Development should be on the list but it got canceled because it was ahead of its time. The money is in the banana stand, indeed. Same goes for Freaks and Geeks. I am loving True Blood and Bored to Death but I haven't watched them all, so maybe they'll make the list some day. Big Love is another contender. And it sounds like Game of Thrones is as good as the book.
Please note: I've avoided animated shows and sketch comedy and mini-series and stuff like that because it opens a crazy can of worms that is beyond my scope . . . maybe Chuck Klosterman will take over where I've left off. Monty Python's Flying Circus would make any list that included those genres.
So here is my definitive list. And if you don't like it, then get to work on my other list (this goes for you, Whitney).
1. The Wire-- meticulous, plodding, realistic, dramatic, and funny . . . and the main character is the city of Baltimore itself. Sets the bar.
2. The Shield-- the exact opposite of The Wire. Forest Whitaker and Glenn Close are the best season long cameos in TV history and pilot to finale, The Shield has the best plot arc ever made. Unlike Lost, the ending satisfies.
3. Deadwood-- Al Swearengen is more fun than Tony Soprano.
4. Curb Your Enthusiasm-- Larry David is a national treasure and should be forced by the government to produce comedy until he dies.
5. Seinfeld-- the only show with a laugh track on the list: see above.
6. Battlestar Galactica-- you've got to see it to believe it. This has nothing to do with the original. Even my wife watched every episode.
7. 30 Rock-- as many jokes as you can stuff into 30 minutes, plus Alec Baldwin and Tracy Morgan. This traditional sitcom just edges out It's Always Sunny in Philadelphia.
8. The Office-- this is probably illegal, but this slot goes for both the British and American versions.
9. Madmen-- nothing happens, but nothing happens with style. And "the carousel" scene rules.
10. The Sopranos-- arguably the show that began The Golden Age.
11. Breaking Bad-- Weeds is good, but Breaking Bad is great.
12. Saxondale-- I had to get Steve Coogan on the list . . . I also love his Alan Partridge character, but this slot could be for any comedian who's been given carte blanche to make something weird and autonomous . . . Louis C.K.'s show Louie also fits, but I've only seen one season.
In case you weren't aware . . . The Golden Age of Television is now. I really thought Night Court was funny when I was a kid, but looking back, maybe I was retarded.
Night Court could never hold its own against Curb Your Enthusiasm. Devoted sister, beloved . . . even thinking of that episode of Curb Your Enthusiasm makes me laugh. I'd put up the clip, but this is a family blog.
So put aside your nostalgia for a moment-- not that I don't fondly remember Mork and Mindy . . . but my memory is distorted by some sort of demented rose-colored glasses-- and actually watch an episode of one of these old shows that you love to reminisce about. Land of the Lost or Fantasy Island or Dallas or Love Boat or Get A Life or my favorite, WKRP in Cincinnati. You'll see. They have no chance against the shows of today. Unlike sports, where it's impossible to ever see how Mohammad Ali would fare against Mike Tyson, or if Babe Ruth could hit as many home runs in the era of relief pitching, it's relatively easy to pit one television show against another. Simply watch them in succession. Try an episode of The Commish and then watch the pilot of The Shield. You'll see. You will then say to yourself: Dave is right . . . we are living in the Golden Age of Television.
Some perfect storm of cable, TIVO, product placement and advertisement money, streaming video, viral marketing, DVD purchases, and a wide ranging captive audience have created a market for shows as stupid and trashy as you want (Real Housewives of X, Dancing with the Stars, Temptation Island, Jersey Shore, etc.) and as smart and clever as you need. So my list is going to be top-heavy with recent shows. That's on purpose and that's correct.
Steven Johnson explains part of this phenomenon in his book Everything Bad is Good For You: How Today's Popular Culture is Actually Making Us Smarter; in the past, before digital media and TIVO, even before the widespread use of the VCR, a television show had to be immediately accessible. When you turned on the TV, even if it was the middle of an episode in the middle of a season, the show had to explain itself because there was the possibility of a new viewer, and they had no way to access previous shows. So each episode was usually insular, with limited running jokes, and the plot threads were simple and easy to sort out. But with the advent of digital media, writers stopped needing to place those "flashing arrows" any longer . . . some shows, like The Shield are nice enough to have a "previously on The Shield" segment at the start, but at the beginning of a new season of Breaking Bad, I need to consult Wikipedia to remember all that has happened. And it's in the best interest of the show to be as clever and complicated and dense as possible, because then people want want to watch it several more times, and so they'll stream it or buy it or watch clips of it, all adding revenue to the industry. It's The Golden Age.
So MASH doesn't make the list-- not that it would ever make my list. Cheers almost made it, until I replaced it with 30 Rock. Arrested Development should be on the list but it got canceled because it was ahead of its time. The money is in the banana stand, indeed. Same goes for Freaks and Geeks. I am loving True Blood and Bored to Death but I haven't watched them all, so maybe they'll make the list some day. Big Love is another contender. And it sounds like Game of Thrones is as good as the book.
Please note: I've avoided animated shows and sketch comedy and mini-series and stuff like that because it opens a crazy can of worms that is beyond my scope . . . maybe Chuck Klosterman will take over where I've left off. Monty Python's Flying Circus would make any list that included those genres.
So here is my definitive list. And if you don't like it, then get to work on my other list (this goes for you, Whitney).
1. The Wire-- meticulous, plodding, realistic, dramatic, and funny . . . and the main character is the city of Baltimore itself. Sets the bar.
2. The Shield-- the exact opposite of The Wire. Forest Whitaker and Glenn Close are the best season long cameos in TV history and pilot to finale, The Shield has the best plot arc ever made. Unlike Lost, the ending satisfies.
3. Deadwood-- Al Swearengen is more fun than Tony Soprano.
4. Curb Your Enthusiasm-- Larry David is a national treasure and should be forced by the government to produce comedy until he dies.
5. Seinfeld-- the only show with a laugh track on the list: see above.
6. Battlestar Galactica-- you've got to see it to believe it. This has nothing to do with the original. Even my wife watched every episode.
7. 30 Rock-- as many jokes as you can stuff into 30 minutes, plus Alec Baldwin and Tracy Morgan. This traditional sitcom just edges out It's Always Sunny in Philadelphia.
8. The Office-- this is probably illegal, but this slot goes for both the British and American versions.
9. Madmen-- nothing happens, but nothing happens with style. And "the carousel" scene rules.
10. The Sopranos-- arguably the show that began The Golden Age.
11. Breaking Bad-- Weeds is good, but Breaking Bad is great.
12. Saxondale-- I had to get Steve Coogan on the list . . . I also love his Alan Partridge character, but this slot could be for any comedian who's been given carte blanche to make something weird and autonomous . . . Louis C.K.'s show Louie also fits, but I've only seen one season.
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