Showing posts sorted by date for query ween. Sort by relevance Show all posts
Showing posts sorted by date for query ween. Sort by relevance Show all posts

Friday, January 09, 2026

It's the Ghlorious return of... THE GHOOGLES

 We back, mofos...


rusty featherstone college

come along catch a heffalump

ghoogler

ghpt

puppetutes

greg mcelroy wife

pompatus

big dumper

sad hungry caterpillar

zman blog

freddie mercury hat

son of a bitch give me a drink


is your name michael diamond no mines clarence

pompatus of love

joe namath age

christmas eve in washington lyrics

little danson man

bruce chen

duckpin bowling vs candlepin

candlepin bowling vs duckpin

once in awhile you get shown the light

lyrics to tusk album fleetwood mac

cal raleigh big dumper

gheorghe mureșan

maura sullivan christmas eve in washington

bodacious ignatius

40 year old bearded clam

fratagonia

nut shot meaning

brett blizzard


2012 new york mets

gheorghe muresan jersey

1980s baseball cards value

needles and pins lyrics ramones

ween best song

cereal with sugar bear

andrew koenig

boner stabone

click clack urban dictionary

greg mcelroy's wife

screaming squirrel

who is greg mcelroy's wife?

nina hartley lex steele

naked nutshots

rootstone blog

peyton manning long neck

dumbest quiz

andrew dice clay brain smasher

this country was founded on running the damn ball


kevin millar wife tattoo

goofy beards

grateful dead get shown the light

virginia squires dr j

bobby meacham baseball card

doobage

clarence clemons weight

freddie mercury leather hat

kari wuhrer music

nut shots

agassi image is everything

pokey lafarge real name

host of remote control mtv

brainsmasher movie

minutemen this ain't no picnic

where is ryan atwood from

chopstache

ogie oglethorpe

frankie dishpan santana

oppenheimer burger


horror show greg kihn

ween where'd the cheese go

corniest song ever

90's workout guy

smaxey the seal

Sunday, January 12, 2025

The Twelve Days of Gheorghemas, Day Eleven

On the eleventh day of Gheorghemas, Big Gheorghe gave to me...

11 Months of Wisdom*

Ten Things from Florence
Six old and new musical experiences
Five roadsters you can and should buy right now
FORE! An overdue update on LIV & the PGA Tour
Three Ways of Coping
Stories from two three strokes
And much needed hip mo-bili-ty

* Not guaranteed to contain wisdom

And away we go, friends, for a whirlwind tour of last year's content, and what's always my favorite post to write. In 2024, we started fast, finished with a flourish, and were reasonably consistent in the middle (except for July. We're gonna have a talk with July). We wrote a lot about our usual suspects, but we added a pop-up baseball blog for several weeks in September and October, and 2024 MVP OBX Dave reliably chimed in with high-quality musings on a broad range of subjects, including sports and media, and media about sports.

To illustrate the months this year, we chose to feature Minneapolis Public Radio The Current's top 11 songs of 2024 in reverse order, so you get some formatting break and some cool tunes. You're welcome.

As the Muppets say, on with the show this is it.

January


You'll be shocked to learn that we started the year with filler and whimsy. Our first "real" post extolled the virtues of posting on G:TB. Sorta.

WCSAGD returned, now with regional curation!

Whitney came home, follicularly speaking.

OBX Dave dropped the first of many deep thinks on college sports.

Z's original car post triggered a run on automative efforts. Like this one. And this. This, too.

Posted about stuff I'd take with me if I had to. Which touched off a mini-run. Here's z's version. In light of the current conflagration in L.A., it all seems a bit melancholic.

The Twelfth Day of Gheorghemas 2023 started on January, 31, 2024. And it was an accurately-labeled extravaganza, taking up a full 12 posts. One of the best uses of postcount in recent memory.

February

The increasing ubiquity of gambling is problematic.

We became Robbie Avia stans. Because of course we did.

We lost Mojo Nixon.

But we found Caitlin Clark.

History came to Colonial Williamsburg.

We lost the Lefthander, too. And Richard Lewis. Tough month for legends.

March

Cole Brauer, pint-sized badass.

We felt the first tremblings of what was to come, politically. It is a goddamn burden to be this right this often.

Far too late to the Joey Votto party, G:TB was.

Some words suck.

OBX Dave dissed March Madness.

The Curse of G:TB, vanquished.

NJ Dave cross-promoted.

Gheorghe's Six-Pack made its 2024 debut with a bit of misdirection.

Closed the month with a bit of inside baseball, journalism category.

April

(In case you were wondering, this was my favorite song of the year.)

My kid is a problem (complimentary).

I published a book!

Notify featured de La, Toad, and Garth.

I was interviewed for a podcast! By Augury Dave! Cross-cross-promotion.

A freewheeling journey to...COOKY PUSS!

May

College sports and money. Money and college sports.

Weird and whimsical. Trainspotting edition.

Dance, Marucci!

The Z nattered. A nation didn't listen.

Witnessed a real, live high-speed pursuit in Ohio.

Pokey LaFarge!

Whit got married. Zed met a new friend.

June

The best Sports Illustrated covers, up to 1979.

Go consumerism

The 12 cars of Whitney.

OBX Dave went looking for a bar fight.

Time. Is Marching On.

In retrospect, we were a bit too naively optimistic.

July

For a month with the fewest posts (13) since April 2023, we managed some heft. Multiple robust explorations of various topics. And a Muppet post. Well played, lads. 

We invented the dumbest quiz game. So far.

OBX Dave examined himself.

We played against some people way better than us.

Party like it's 1994.

Back to the future?

Gheorghe explained Project 2025, and now, well...fuck.

The greatest sports photo ever taken.

August

Bill, Ted, Vladimir, Estragon.

OBX Dave endorses. Nuking the electoral college.

There is another Z-man.

Caw!

Whitney had a great idea. It didn't end great. At least for one half of Misery Loves Company.

And here was the first pop-up MLC post.

Tony Hawk and The Mystery of the Suited Skater.

In which I coin the phrase "incellectual dorks" and exhort my father to haunt the MAGA movement.

September

In praise of TOOTBLAN.

Our man at the beach hates chain gangs.

My brain is dumb.

San Marinnnnooooooo!!!

Ed Sheeran seems a top lad.

Distinguished Teej Filler!

Our elder statesman weighed in on NIL.

October

Mets win! Mets in!

Magic, Bird. Angel, Caitlin?

We celebrate pop and lock. Very on brand.

We enjoy it when OBX Dave brings the shade.

A deep sigh the size of Grimace.

We lost Fernando.

Fuck remains the fucking best.

November

New Big Whistle in the Burg get it going.

Gheorghe Predicted the Election. Gheorghe is an idiot.

G:TB can legally drink!

Give you one guess which Gheorghie wrote a post about dildos.

Chronicles of an Aging Gheorghie.

One of us has a wee crush on Mike Schur. And Ween.

Our guy Joel Dahmen kept his card. By the skin of his teeth.

As God is my witness, a late Thanksgiving meant the last post of the first 11 months was a classic.

And that's all we wrote, friends. A rollicking good year full of joy, whimsy, baseball, tunes, and laughter, with a soupçon of agitated ranting and melancholy. I am, as always, biased, but I do believe we packed more quality into our 200 posts this year than usual. Maybe we're getting the hang of this blogging thing. In any case, love y'all. Here's to 200 more in 2025.

Thursday, November 21, 2024

In Case You're Wondering Where the Cheese Went

Now back to your regularly scheduled dipshittery.

And when we ponder life's largest piles of dipshittery, what musical duo comes to mind most regularly? (If you thought "Random Idiots," you can go to hell. Even if you're on the mark.)

Yes! Ween!

We've talked a whole lot about Ween over the two decades here at Gheorghe. Why? Well, dummy, because that band is dedicated to the premise that life would be better if we all took ourselves a little less seriously. And by a little, I mean a metric shit-ton. Legendary clowns. They simply make me laugh more than any band I know. 

Here's a little story you don't know so well, unless you're Dave. Off-brand for me, but I'm going to abbreviate the backstory.

  1. 2 dudes from New Hope, PA have a 4-track recorder in the late 80's.
  2. They follow in the lo-fi no-band footsteps of 2 dudes from Brooklyn who might be giants, and they inspire two dudes in Williamsburg who are definitely not. 
  3. They end up releasing a 29-song album in 1990 on Twin/Tone records, a small label in the North Star State responsible for the early records from The Replacements and Soul Asylum. God Ween Satan is a glorious mess. 
  4. They release more albums, and actually start getting better. They get on MTV. They amass a cult following.
  5. They release a country album in 1996 with reputable Nashville session musicians. It features a few filthy songs like "Piss Up a Rope" and "Mister Richard Smoker" that some of them Tennessee gents didn't much like. But it's a great record.
  6. They release a prog-rock album in 1998 that's excellent.
  7. They issue White Pepper in 2000. It's as mainstream as Ween will ever, ever get. They appear on Letterman to play "Exactly Where I'm At." Another single, "Even If You Don't," is super catchy and has a video. "Stay Forever" is really quite normal. Dave proclaims this album to be the best. The best album of all time. Ever. (He's the most hyperbolic person in the universe.)
Ween is mainstream and ready for middle America!!!

Well... heeeeeeere's the thing, though. Ignoring a historic discography that features songs called (sorry for the expurgated version, it's a family blog):
  • You F***ed Up (first song on first album)
  • Common B***
  • L.M.L.Y.P.
  • She F***s Me
  • Flies On My D***
  • Poop Ship Destroyer (a Ween original classic if there ever was one)
  • Hey Fat Boy (A*****e)
  • Spinal Meningitis (Got Me Down)
  • Baby B****
  • The HIV Song (this tune is just two words long)
  • Don't S*** Where You Eat
  • Waving My D*** in the Wind
...ignoring all of that, plus a bunch of songs that are hideously lewd but don't have the vulgarity in the title, setting all that aside and focusing on this new (2000) mainstream effort White Pepper... which probably is a racist title, now that I think about it in 2024 terms...

You still can't miss the steel drums, ragga Jimmy Buffett send-up "Bananas and Blow." (It's so good.) And you still can't escape the Steely Dan-ish nod "Pandy Fackler" with its lyrical wait, what?! (Read it here.)

There is still some saucy-as-hell Béarnaise beneath the polished sound of that macro-Ween era. You just knew that although we were happy for their relative success, these were still the same two dipshits from New Hope whose masterstrokes were all steeped in dipshittery. 

You had to know.

You know who didn't? Pizza Hut!!

Yes, the same Pizza Hut corporation whose franchise employed rob and me in 1990. (You remember the story. Never trust a big butt and smile.)

So... the story goes like this. In 2002, Pizza Hut, Inc. decided to leap into the stuffed crust phenomenon. (Never been a fan.) Can't blame them, it was an era of hiding cheese everywhere. 

According to Dean Ween:
“Earlier in 2002 we were hired by the largest advertising firm in the country to write music for a Pizza Hut commercial. Pizza Hut had hired them to come up with a whole new image to promote their new Pizza, “The Insider” which had all of the cheese inside the crust. In keeping in line with their new cutting edge image, the agency hired Ween to do the music, and we delivered in a big way. Unfortunately, they didn’t like a single piece of the 6 tunes we submitted and they had us rewriting the song every day for a couple of weeks before they hired someone else. In my opinion, it is one of the best tunes we wrote all last year.”
The agency got fired. Ween got dumped. It never went anywhere. 

Oh, but Ween leaked the first and best song they submitted to their fans. Please give it a listen. It's a silly little something, and it's clean. 

Oh! But they also leaked the 6th and final song they submitted.  Frustrated with the annoying back-and-forth corporate BS process and the repeated rejection of songs Ween thought were brilliant, they simply added a little tweak to the first song they'd done and sent that in. Welp, that was the last straw. Please give it a listen. It is very much NSFW and it makes me laugh every time. 

Both are in here, back to back. Each is 30 seconds. Enjoy. 


To the knowledge of the crack investigative team of interns at Gheorghe: The Blog, Ween has never been asked to do a commercial again. They have done some soundtrack work, including the song "The Rainbow" for Chef Aid on South Park. (Don't google it.)

Whoever greenlit Ween for a Pizza Hut commercial committed, what John Cleese once uttered in the Cheese Shop sketch, "an act of purest optimism." Worth a try, I suppose, but that was the closest Ween ever came to mass acceptance. In the 20 years since, Ween has taken as many extended hiatuses* as they have released studio albums. (Two of each.)  

*Hiati? Is that right? Looks like Haiti. That cannot be right.

Anyway, when the boys saddle back up and hit the road again, I'm driving to NJ and going to see them with Dave. Until then, where'd the motherfucking cheese go?

Wednesday, April 24, 2024

Notify, Vol. VIII

Rob recently checked in on the WFCSAGS recurring feature and provided an update. Not sure Zman can with WCSAGD, other than to keep saying "Nobody's bought one yet!"

Well, here's an update nobody even asked for -- the Notify News! Welcome back to the Notify show, the one where we highlight songs not on Spotify!

And here's the latest, including which songs we highlighted that are now available on Spotify after all. [If you think I'm implying with such a post as this that the G:TB Notify posts have influenced the powers that be at Spotify, well, yes, yes I am.]

Here are the songs that I brought to that platform for you:

Z Specials

The rest, for which we remain ever vigilant:

  • Brian Wilson, "Brian Wilson"
  • Stevie Wonder vs The Clash, "Casbah Uptight"
  • UB40, "One in Ten"
  • CvB, "Laundromat"
  • Arcade Fire, "Guns of Brixton [live at BBC Culture Show]"
  • The Clash, "Listen"
  • Aztec Camera, "Jump"
  • CvB, "Eye of Fatima"
  • Strontium 90, "Every Little Thing She Does Is Magic"
  • The Police, "Nothing Achieving"
  • Dropkick Murphys, "Guns of Brixton [live]"
  • Wyclef Jean, "Electric City"
  • Pizzicato 5, "Twiggy Twiggy"
  • Danger Mpouse, "What More Can I Say"
  • The Clash, "(In the) Pouring Rain"
  • Cracker, "Been Around the World"
  • Total Coelo. "I Eat Cannibals [original]"
  • Zodiac Mindwarp and the Love Reaction, "Prime Mover"
  • The Walkmen, "Greasy Saint"
  • Ray LaMontagne, "Crazy"
  • Father John Misty, "The Suburbs"
  • Bruce Greenwood & Circle the Wagons, "2 Ft. O' Butt Crack"

Okay, there's the recap. But what about some new Not-ifies?

Fair enough. 

Who doesn't love Ween?? Well, I don't right now, since they cancelled the show that was playing around here this weekend. But then again, it was for Deaner's mental health, and I'm for that. We waited out Gener, we'll wait for his buddy. 

Here are a couple of lost tracks.

Here's a tune they wrote when Captain Trips died.

And another for an All-Star pitcher's cousin. Love this one.

Speaking of dying, the Margaritaville Man died last year, and here's an old tune he did that appeared on the Urban Cowboy soundtrack.

Here's one that didn't even have a presence online until a month ago. An old tune by old VU-er John Cale, somewhere in the late 1970's. 


And there there's this. 1983's sophomoric, misogynistic, ludicrous, and mildly amusing Jerky Boys precursor, "Cooky Puss!" All hail Carvel ice cream. This ain't no Fudgie the Whale. 


That's all for Notify this go-around!

BUT... that's not all for Cooky Puss!  Stay tuned for Part II of the Cooky Puss saga!! It's fascinating!!

Saturday, October 09, 2021

What Football Club Should a Gheorghie Support

Dave is a polymath, the Copernicus of the Raritan. He's a voracious reader, a deep thinker (when he's not a derp thinker), a man who reads physics texts for fun while also sporting a Ween tattoo. 

Dave's also a soccer coach, a tactical innovator who invents his own drills and adapts his style to meet the
unique needs of his team. He needs to root for a side that's stretching the game's limits, embracing modern training and tactics, viewing the game through a different lens.

Matthew Benham is a polymath, educated as a physicist, trained as a banker, wealthy from a statistics-aided run of success as a gambling entrepreneur, owner of multiple European football teams, including the fun to spell and say Danish club FC Midtjylland. (Dave should support them, but that's not why we're here.) 

Benham made much of his considerable fortune applying computational analytics to sports gambling, and when he purchased the football team he rooted for as a child, he set out to use the same approach to drag that team from the depths of the English pyramid. In 2012, when he became majority shareholder, that club languished in League One, the second-lowest full-time professional league in the country.

Around that time, Benham became friends with Rasmus Ankersen, a Danish entrepreneur with a passion for football and innovation. Ankerson applied statistical models to player acquisition and club management, and found a fellow traveler in Benham. Ankersen is the chairman of Midtjylland and the co-director of football for Benham's English club. And he gives a mean TEDx Talk.

Since that time, Benham's team has risen steadily through the ranks, seeking market inefficiencies to identity and acquire undervalued players and playing an attacking style that hopes to maximize expected goals (xG) over the course of a season on the theory that over the long run, teams that create more chances will more often be rewarded. After falling to Fulham in the Championship playoff final in 2019, Benham's team defeated Swansea in 2020 to gain promotion to the Premier League for the first time.

In their first seven games at the highest level, the team has made a mark. They defeated Arsenal, 2-0, intheir first match in the top flight, and currently sit in 7th place with only a single loss on their record. They just played a barnburner at Anfield, getting an 82nd minute goal from Yoane Wissa to tie hosts Liverpool. They're fun to watch, and there's a whole lot that suggests they'll stick around for a while.

Dave should root for Brentford, the Premier League's smartest and most interesting team.

Up the Bees! Up the Dave!

Wednesday, July 22, 2020

A Face in the Crowdsource

Crowdsourcing -- it's the new panhandling. Or the new Tupperware, Avon, Amway, Mary Kay, Cutco, or more recent ones like LuLaRoe, cabi, or Rodan + Fields . . . all stuff one of my wives called "peddling shit to your friends." (Her apologies if you or yours are part of these obeliscal entities.)

Zach Braff famously used Kickstarter when he said that the brilliant script he'd written could never get made unless his fans paid for it.  The sympathetic public acquiesced, contributing $2.6 million to the cause.  After which, or course, the traditional film-financing engines did what they do and funded Braff with the $10 million he wanted. (Wish I Was Here has a Rotten Tomatoes score of 47% and a Metacritic score of 43%. Maybe it was the ignorance of the subjunctive mood in the title.)

Carbon Leaf's Barry with fans
More recently, and with less public snark, one of the two bands featured in a February G:TB double-bill two-night musical mini-summit (Carbon Leaf) launched a Kickstarter campaign to help fund their new album. With concerts a thing of the past (sigh), they needed an influx of cash to get them where they wanted to be. They asked their fans to help out with a collective $21,000 by this Saturday, July 25, to make that happen. Looks like the band and its fans, eager to hear new music, will be just fine. If they get just $200 more, they will reach a total of . . . $200,000. Holy crap.

So, uh, Random Idiots will be following suit next month to support our new record, A Fool and His Money. Link to the Kickstarter site coming soon.

Much, much, much more importantly, there's a crowd-sourcing site doing well right now that brings a bit of a tear to me eye, to quote Dean Ween.  Here's the story . . .

* * * * * * * *

Flash back to 1976.  The Bicentennial celebration has come and gone, the fireworks and fanfare for a nation have given way to back-to-school time. (You know, what families east, west, north, and south are praying for as we speak.)  A new school for me, one where I'd stay -- by the skin of my teeth -- for a dozen years. Also, a new sport. Football.  The European kind.

On the west side of Norfolk, our youth soccer leagues were the simplest they could be in structure. Your neighborhood was a team, and someone's mom or dad was the coach. Larchmont, Lochhaven, Ghent, West Ghent, and so on. It was co-ed for the first few years, then gender-divided.  It was an absolute ton of fun. I was mediocre at best, but I kept playing. Practices for my Larchmont squad were once or twice a week after school at "Brick Field" next to Old Dominion University, three blocks from my house. Games on Saturday in the home team's neighborhood.  Simple.


In a year or so, after we grew out of the "bumblebees" age for soccer and actually started to play the game a shade closer to how it was designed, we were assigned positions. Our scheme was incredibly complex. Forwards, halfbacks, fullbacks, goalie. In my later years (6th grade), the concept of "sweeper" was introduced. Blew our frickin' minds. So simple.

I moved around a bit, jacking up all the trades and mastering none.  I was mostly a halfback, which is where Coach Smith put the kids who couldn't score but also couldn't be relied upon on for defense. Also, my age 9 penchant for running around all game was the diametric opposite of that at age 49. But it was fun wherever they put me.

I made good buddies on that team. Strangely, I didn't have any school friends on that team. I think maybe it was because I was young for my grade, a September birthday, and a handful of kids I was pals with in school were on the older teams. I didn't love that everyone always questioned me about that, but as I got older, it mattered less.  Also, a number of kids from other schools were on my squad, and we bonded as we played together year after year. Years later, when I stopped playing community league soccer and played school sports, my circle of friends became nearly exclusively confined to kids at my school.  The situation was way better for me when I had my soccer friends.

One of those was a guy named Michael Cutter. He was our goalie, and like me, he was tall with rugged good looks for a 4th grader.  He went to our rival, Norfolk Collegiate School. (Our other crosstown rival, Norfolk Christian, was where Barry from the aforementioned Carbon Leaf was in school.)  Anyway, Cutter was a very good player and a friend. He'd go on to be a great high school goalie. But like I said, we mostly lost touch in high school because of my/our dipshit xenophobic insular ways.  We'd see each other at church or a hoops game 'twixt our schools and nod hey with a smile.  Sup, Whitney.  Sup, Mike.

I got better at soccer in those years on the Larchmont team. Years of dedicated practice will sometimes do that. I became a forward at some point, and one Saturday in 6th grade, I scored four (4) goals in an 8-0 drubbing of West Ghent. That was our last game of the season. Man, I loved the revelry and the congratulations I received that day. Not what I was used to.

The very next season, I left the Larchmont squad. Contract negotiations had stalled. Well, actually, it came to this: my school offered football in 7th grade. That was that, much to the chagrin of my old coach and a few of the nice parents who said I should stick with soccer.  The allure of the gridiron and playing sports with my best buddies was too much. Naturally, that proved to be a wise decision, as I turned into the tight end who managed to lead the Tidewater Conference of Independent Schools in receptions my senior year. (Ahem... that conference numbered exactly four (4) schools with football programs.)  It was a wise decision because I had a ton of fun playing football. I dated a cheerleader or two, I have plenty of old stories from those years, and my friends from those teams (a juggernaut who won 2 games in my final 2 seasons) are among my great comrades today.

Anyway, when I made the transition, I quickly became incommunicado with the old Larchmont team.  Great memories of simpler days, fading by the day but never leaving.

* * * * * *

Fast-forward to December 2005. My family and I have relocated to Norfolk, Virginia from the nation's capital and surrounding suburbs. My re-entry to the old hometown was nothing short of heart-warmingly revelatory to me: You can go home again.

The poker league welcomed me, the book club welcomed my wife, and everyone helped us assimilate into the circle of friends.  It was remarkable. There were dozens of new-new friends I met, people who'd transplanted here at some point before my return or folks I simply hadn't know growing up. Beyond the new-new people I met were the old friends that became new friends. There are a number of people that I just barely knew that are now my good buddies. Chums. Mates, as KT would say.

I have continued to meet great people in the 15 years I've been back, and I have sincerely appreciated that part of the experience.  Norfolk/Virginia Beach can play like a very small town. Some people dislike that aspect of the community greatly -- like seeing people you know wherever you go -- but I love it. Going through a pair of divorces in what can feel like a tiny hamlet (despite being an MSA of 1.8 mil) ain't no picnic, to quote D. Boon, but beyond that, I dig it.

Anyway, I digress mightily, but among the masses of those with whom I reconnected after coming home was one Mike Cutter. What a great dude. He'd gone off to Hampden-Sydney College and come home to work in the City's Economic Development office. For fifteen years now, we have seen each other at neighborhood cookouts, sporting events, birthday shindigs, our kids' school, church (on rare occasion), keggers (less rare), and work events. (You know, the things that evaporated into the virus-contaminated air.) We aren't best buds, but we're well past "Sup, Whitney. Sup, Mike." He kept up with the Larchmont team peeps a mite better than I did -- enough to know we lost a couple along the way, including the coach's son, sadly by his own hand. It's a long way from the old days at Brick Field, even as I drive by there all the time.

There's simply something about having known someone since you were 6. We catch up when we can, asking what's good and what's not so good in each other's worlds.

What's not so good in Mike's world is amyotrophic lateral sclerosis. ALS. Motherfucker.

Five years ago he was diagnosed with the disease formerly and then again known as Lou Gehrig's.  For several years, you would only have known Mike had the condition if you were looking for it. He was blessed in that regard, and there were a number of people who were diagnosed later than he was who have suffered much more rapidly and succumbed to it. That was a very polished silver lining.


The rest is more than a touch of grey.

At first, it was little stuff. A straw in a beer.  A noticeable effort to raise an arm to shake your hand. The Norfolk ED office is in my building, so I'd see him in the halls -- handshakes became me giving him a quick hug or a gentle pat on the back. He fell last year and broke his collarbone. The struggle has accelerated.

A GoFundMe page was launched last weekend. It says:
If you know Mike and his circumstances, then you have likely observed his life dramatically change in the last few years - particularly in the last 12 months.
While other options were seriously contemplated, Mike and Amy have decided that it’s best for their family to remain in their home - and the time has come where they need help in turning their home into one that is suitable for someone with his limited mobility. It is the intention of this GoFundMe Campaign to raise at least $150,000 to make some of the necessary additions and renovations to the Cutter home in order to accommodate Mike's disabilities. This will include, but not limited to, modification to home entrances, renovation of a downstairs room into a master bedroom, the addition of a downstairs bathroom with disability fixtures, a motorized wheelchair, a motor vehicle with disability accommodation, and any other ADA modifications.
There are also words from Mike himself:
In 2015, after months of testing on my right hand, I was shockingly diagnosed with ALS. For a while I lived without great complication due to the slow progression of my form of ALS; I have only in the last year or so felt its increasing debilitating effects. My arms are very weak - I’m no longer able to drive and I usually need help eating and getting dressed - and I am now having trouble with walking. I miss helping others, playing ball with my boys, and walking our dog. Other than mental anguish I am in no physical pain (unless I fall and bust my head open or break a collar bone - yep that’s happened). I am confounded with my current position, more easily angered and often frustrated; but despite my physical and mental battle each and every day with this beast, I’m still in good spirits and try to laugh at myself while remaining positive, faithful and hopeful. I’m most proud of my family; my 24-year marriage to my wife Amy, and being blessed with our sons Stanton (2005) and Archer (2009). We very much appreciate your willingness to help make possible this transition in our lives and in our home. With much love, thanks and humility, Mike
As of this writing, the GoFundMe page has generated $64,027 in a handful of days. 282 people have contributed thus far.  It's made me feel good that a good man is getting good help from good friends of his.

This is not a plea to give. At our ages (esp Rob, Dave, KT, and other fiftysomethings), we all know someone in need, and I am quite sure you all contribute to friends of yours in dire circumstances.

No, this is just a chance for me to open up about a sad scenario that won't end any happier, but to also appreciate some joy and human kindness in an era where it's underreported.  I feel better for having written it, so thanks if you took a few minutes to read it.  It's that . . . simple.

Be well, live well, do it now, not later.  Cheers, mates.

Tuesday, January 28, 2020

Ripped from the Headlines

Punk rock gets a fair amount of play around the gheorghosphere, and it certainly did over the last few days. Hope you took a few minutes to watch tomorrow's community leaders play the role of patient boy.

I usually click on Google News sometime in the morning to make sure I haven't missed anything. That said, lately these days my scans have been fewer and more cursory. The news is too bad, too ugly, too depressing. Even the non-Trump tribulations are items like the fact that 34 years ago today, the space shuttle Challenger exploded.

I do, however, enjoy the modern technology feature of search returns and news feeds being tailored to taste.  And as such, I get punk rock news -- of which there is not a ton, mind you. This isn't Kings Road, 1977.

One of today's headlines, though, made me chuckle.  To begin with, punk band names are the best. And then there's the unintended, more literal interpretation.


Unfamiliar eyes would be rather horrified. Which is, of course the intent of it all.  God love the Circle Jerks. They were even name-checked in a Camper van Beethoven song in 1985.

Some punk and hardcore acts take it a bit far, going full-offensive, but those aren't particularly gheorghey.  Even the Dead Kennedys rile some people beyond musical consideration.  For now, we asked local DJ Les Coole to check in with his favorite punk rock band names of all time:

  • Misfits
  • The Clash
  • Social Distortion
  • Butthole Surfers
  • Meat Puppets
  • Circle Jerks
  • Bad Religion
  • The Slits
  • The Damned
  • Therapy?
  • Slightly Stoopid
  • The Runaways
  • Suicidal Tendencies
  • Dirty Rotten Imbeciles
  • Buzzcocks
  • Germs
  • Fugazi (Fouled Up, Got Ambushed, Zipped In)
  • Cock Sparrer
  • Richard Hell and the Voidoids
  • The Cramps
  • Random Idiots
  • The Stooges
  • Scrod Rocket
  • Rancid
  • Pogue Mahone
  • Black Flag
  • 999
  • Southern Culture on the Skids
  • Agent Orange
  • Minor Threat
  • Pavement
  • Ween
  • The Skids
  • The Ruts
  • The Dead Milkmen
  • Ramones
  • Bad Brains
  • GWAR
  • [20 bands that start with Anti-...]
  • The Boomtown Rats
  • Flogging Molly
  • The Sex Pistols
  • Napalm Death
  • Bikini Kill
  • Greasetruck
  • The All-American Rejects
  • Agnostic Front
  • Generation X
  • The Hives
  • Killing Joke
  • Hole
  • Sham 69
  • The Vibrators
  • Dead Kennedys
  • Beastie Boys

Now more than ever, rebellion seems about right.  Anarchy in the GTB.

Wednesday, August 08, 2018

Waving My Dick in the Wind: The Best of Ween

So there's a Ween compilation out now.

Greatest Hits albums used to be a big deal.  (Just ask the Eagles.)  Nowadays, though, you can compile your own and listen away.

I could describe the shit sandwich that the record company issued as a Ween best-of, but someone else has already done that better.  On the Rate Your Music site for this release, a reviewer named "Tornadoes" writes:
Haphazard and half-assed digital-only sampler that was assembled without Ween's participation. It's ostensibly a collection of the Elektra/Warner years but it contains nothing from their major label debut Pure Guava (since the rights to that have since returned to the band) nor does it have anything from the preceding album The Pod (Elektra reissued that for a time but that licensing arrangement later expired). It does have GodWeenSatan since Warner now controls that outright (since they bought Rykodisc, who had bought Restless, who had bought original releasing label Twin\Tone – but yeah, you don't care about that chain of title runthrough) but this compilation goes overboard and inexplicably makes that release the centerpiece of this compilation. Don't get me wrong at all, GodWeenSatan is my favorite Ween album, but it's idiotic that 12 of the 20 tracks were taken from there, and several of the selections are HIGHLY questionable. ("Nicole"? "Old Man Thunder"? "Puffy Cloud"? Why?) There's also zilch from 12 Golden Country Greats, even though Warner still owns the rights to it, and the absence of "Ocean Man" is unforgivable. Whoever assembled this has a lot of explaining to do. My mom would also like to mention that this lacks her favorite Ween song ("Mister, Would You Please Help My Pony?") and I agree with her that extra demerits are in order for that omission.

I recall when Ween's record deal with Warner originally ended, it was mentioned on the band's website that Rhino Records had the option to make a best-of and that the group might record a few new songs for it or allow some rarities to be used. That collection never came to be but now we have this useless release that was created without Ween's input, since Warner is allowing the obscure X5 Music Group company to raid their archives and assemble "professionally curated music products and playlists customized for a global, digital music market." That's corporate-speak for "we have the legal right to repackage and put out unnecessary horseshit just to scam out a few extra Spotify clicks," by the way.
Ween's demon god The Boognish
I love the venom.  And Tornadoes is right.  This is terrible.  Spotty and incomplete, like Pete Klam's drawers circa 1992.  Poorly conceived at best.

To paraphrase, I offer a comment to Warner Bros that simply takes the name of the first song on Ween's first album: You Fucked Up.

So what are we gonna do about it?  Replace it with a playlist, natch.  Warner used 20 songs, so shall we.

Here goes.

Ween 20-Pack

Vitals
Where: New Hope, PA
When: 1984–2012; 2015–present
Who: Dean Ween, Gene Ween, others eventually

Here's the deal.  Two friends who met in 8th grade liked to get hammered and make music.  Then they started recording it.  4-track lo-fi.  Super stupid but very funny songs about genitals and food and girls.

Then they started touring.  Then they got better at this.  And made better songs.  And recorded in a studio. And filled out a real band. And still liked to get hammered and make music.  Super stupid but very funny songs about genitals and food and girls.

Along the way they had MTV success and live albums and a prog-rock album and a friggin' country album with Nashville session guys and the friggin' Jordanaires and almost a Pizza Hut commercial and a soft-rock song with David Sanborn.  And an absolute ton of fun.

Then Gener got too far gone and cleaned up and quit Ween and Deaner said it's a life sentence so I'll leave the light on and eventually Gener came back a few years later and now they are living happily ever after back together.

I love Ween, and not because they are Random Idiots but way better.  Not just that.

Here's my stab a best-of album. Okay... so I made the standard 20-song GH, and then I made one for the Next 30 Ween songs. Too much great stuff to tickle your fancy, Mr. Fancypants.

The second set is more fun.  Bookended with juvenilia stalwarts, it's chock full of jokes like "Pollo Asado," even more offensive material (a la"The HIV Song"), the best live cover song ever if you listen until the end, and amusing crap like "The F**cked Jam," which drove our buddy Tinsley so insane at the OBFT that he threw the CD into the dunes in a fit of madness.  Both are chronological, so you can hear the progression from idiots to refined idiots.

And let me type this in bold: NOT SAFE FOR WORK.  Lord, no. Not nearly.

Enjoy.



Friday, August 25, 2017

Your Handy-Dandy Calendar of Rock & Roll

Last year was a bit challenging for me in a handful of ways. Family illness, divorce #2, got no jack, blah blah blah. There's no time to feel sorry for yourself in a world brimming with sad events and sorrow, but I probably did.

But music is solace, especially if you can emotionally compartmentalize like I can.  A good rock show cures what ails you for two to four hours at a time.  Festivals even moreso.  And against some odds, I did manage to make it to a boatload of good concerts last year.  As I recall, in order:
  • Badfish
  • Wilco
  • Widespread Panic
  • Pink Talking Fish
  • Jimmy Buffett
  • Pearl Jam
  • Jason Isbell
  • Violent Femmes
  • The Wailers
  • Avett Brothers
  • Bruce Springsteen
  • English Beat / Squeeze
  • Old 97's
  • The Cult
  • Drive-By Truckers
Thus far this year I have caught three of those same bands once again, plus Ween, Green Day, Trombone Shorty, U2's Joshua Tree tour, Lionel Richie, the Australian Pink Floyd Show, and a ton of bands at JazzFest in New Orleans. Plus some local acts.  And the Random Idiots uncorked session in Norfolk pre-OBFT.  And drumming on my desk when I'm bored.

Seems like a lot.  But never enough, I guess, because there's more on the docket. Who's with me?

Okay, I'll be more specific.  I began to assemble a list of bands heading to the area over the next few months.  Then "the area" expanded, since we've journeyed far and wide for the right rock concert in the past.  And then I thought I'd have some fun with it and threw in my estimated percentage chance of attending each show. And some bands I likely will not see.  Ever.

Note... that percentage figure increases substantially if other gheorghies are going to go.  Some recall the mini-summit of 2013 in NJ for the Old 97's/DBT's show.  No fewer than 4 GTBers ganged up for that one.  Let's do this.  Apologies to Mark, Squeaky, and others geographically displaced from my town.  Though I will friggin travel for the right show.

Also... what is up with the explosion of music venues in DC now?  I leave town and they pop up like an outbreak of... whatever that is down there.  Used to be the Verizon Center for big acts, the 9:30 Club for mid-majors, and the Black Cat and such for the littl'uns.  Now: Rock & Roll Hotel, Hamilton Live, The Anthem, Hill Country Barbecue Market, U Street Music Hall, Sixth & I Historic Synagogue (??), Lincoln Theatre, and a place near the old Bayou called Gypsy Sally's -- each of which have bands I listen to playing there.  Kind of awesome, kind of wtf.

Anywho... come join me for some musical shenanigans, won't you?




Wednesday, May 31, 2017

Once in a While You Get Shown the Light

    "Lately it occurs to me what a long, strange trip it's been."
"Truckin'," Grateful Dead, 1970

    "I may be goin' to hell in a bucket, baby, but at least I'm enjoyin' the ride."
            "Hell in a Bucket," Grateful Dead, 1983

Those two lyrics became my senior quotes, appearing in my yearbook beside a baby picture and the fully-coiffed, tuxedoed, 1988 version of myself.  Okay, fine, they wouldn't let me print the first clause of the second quote, so I shortened it.  Full text implied.

Have You Seen Me?
Jerry Lesh Garcia circa 1988
The first concert I ever attended was The Monkees at Scope in Norfolk in 1985.  In the same space where Dr. J used to light it up for the Virginia Squires, Davy, Micky, and Peter (Mike wasn't in need of the cash, as he was an heir to the Liquid Paper fortune) made us all daydream believers once again. Some months later, I enjoyed another act begat in the Sixties, the Grateful Dead.  Same vintage, different band.  Different venue. Different crowd. Different worlds. Different daydreams.

I never saw the Monkees again. The Dead, however, became a relative fixation that competed for my aural enjoyment with R.E.M., The Cure, Beastie Boys, and Run-DMC.  I saw multiple shows of theirs at Hampton Coliseum each of the next few years, saw the Jerry Garcia Band at Merriweather, and caught the notorious Warlocks shows in Hampton in the fall of 1989.  Worth reading about here. Saw those shows with Scoop Edwards, RIP.

At the same time, though, college is a great place to absorb a ton of different music.  Just on my freshman hall, I had a metalhead roommate, a guy across the hall who went to Boathouse shows with me like Living Colour and UB40, a nextdoor neighbor who introduced me to The Cult, and a little squirrel down the hall who taught me that The Smiths and They Might Be Giants were actually really good bands. Soon enough, my headlong affinity for The Clash and punk rock began in earnest.  (Not in Ernest.) And along the way the Beasties released Paul's Boutique.

By the time I was (finally) graduating from college, the Dead, Deadheads, tie-dyes, and tapestries all quietly faded into the rearview.

Jerry died in 1995 while I was in New Orleans. Slight uptick in old tapes unearthed, then back to my regularly scheduled dipshittery (like Ween, Weezer, other bands starting with wee...).

Fast forward 20 years.  In Norfolk, the clowns with whom I now revel lean jammy, just as they did back when.  I didn't really fall back into that groove right away.  Saw my first Phish show in 2011. My first Widespread Panic show a few years later.  And at the Lockn' Festival in 2015, I saw Bob, Phil, Bill, Mickey, and a host of other performers resurrect the Dead. I streamed the Santa Clara and then all three nights of the Fare Thee Well hoopla from Soldier Field last summer.

All that boring backstory said, nothing catapulted me back into JerryLand nearly so much as watching the Scorsese-produced, four-hour documentary I saw last week. On Thursday night, Long Strange Trip: The Untold Story of the Grateful Dead was shown on a couple dozen screens across the country for one night only.

In Norfolk, it was the beloved Naro Cinema in Ghent, a few blocks from my place.  Well-attended but not packed to the gills, I saw dozens of friends old and older pouring beverages into beverages and letting there be songs and what-not to fill the air.  Management shrugged and smiled.

Four hours is a long time in a movie theater, even with an intermission (trip to the bar nextdoor for shots).  It flew by.  The director, Amir Bar-Lev, known for the Tillman Story (must-see) and other works, gave us the story/backstory, showed the shows, played the songs, and blew me away.

There's a whole lot in it; of course there's more to every story; the same Deadheads who have argued for decades about Barton Hall '77 vs Port Chester '70 or, as Al Franken amusingly discusses in the film, the best version of "Althea" ever performed (he says Nassau '80), will undoubtedly gripe that there's no post-Jerry scenes or that Tom Constanten is hardly mentioned or that Mountain Girl gets short shrift or whatever.  Shut it.  It's fantastic, it's art, and I had zero complaints, except that it eventually had to end, and the music stopped.

I always had a sense of kinship with Jerry Garcia, but then most people who like the music do.  I... ahem, a guy who looked like me in high school... had a state-issued driver's permit with the name Jerry Lesh Garcia that aided my... his... fun from ages 16-21.  Bearded and beefy as I sat in the Naro Thursday night, watching the greatest story ever told (at least that night), that feeling hit me again. The picture painted of a goofy character who always carried a little bit of mischief and anarchy, a little bit of leadership and ingenuity, a lot of love for those around him, and a firm philosophy of "Have fun!" that ensured good times galore but also incurred plenty of detriment... well, I know people like that.

Anyway, I now can't stop playing the old shows.  God bless Deadheads, there's almost as much music and material written about the Grateful Dead on the Internet as there is pornography and links to Alfonso Ribeiro shirtless.  I can hear most every show I attended.  (What I wouldn't give for that to be true of every band I saw.)  "Brown-Eyed Women" and "Morning Dew" on repeat; Jesus, I used to be a guy who mostly liked the 4-minute rock songs GD occasionally issued that Deadheads hated. Now, the longer the meandering, the better.

Anyway, pardon my own meandering down Shakedown Street.  Watch the trailer below, and if you have any interest whatsoever, as of this Friday you can use Amazon to stream the full documentary of Long Strange Trip.  Enjoy the Ride.


Thursday, April 20, 2017

Where Are the Waldos?

Happy 4/20, people.  It's an old story by now, but for the few uninitiated...

1971... Five friends at San Rafael High School in California ("The Waldos") coin the term "4:20" as a euphemism for smoking pot. April 20th becomes a popular day to spark one up, as does 4:20 pm. Note that the Boston song "Smokin'" clocks in at 4 minutes, 20 seconds, and if you multiply the title numbers in Bob Dylan's "Rainy Day Women #12 And #35," you get 420. Dude!
      --From songfacts.com

Now more than ever, weed is in the social conscious, and the punny headlines everywhere reflect it:

Marijuana's big day is here: '420' celebrations ready to roll

Marijuana has truly gone mainstream, survey finds

The Etymology of 420 by Fred Gardner
My Stan Smiths are a shirt!


4/20 is Black Friday for marijuana merchants

The origins of 4/20, marijuana's high holiday

How to Have the Perfect 4/20

Cypress Hill - Insane In The Membrane

Weed-to-know facts on how to legally celebrate "4-20"

4/20 poll: Support to legalize marijuana at all-time high

DC activists to hand out joints near US Capitol

"Rock the vote, motherfuckers..."

The chances of Ween launching their spring tour on 4/20 being a coincidence? About 1 in 420.  

Enjoy the day.  

Wednesday, November 05, 2014

Dave Beats Around the Bush Before Listing a Dozen Songs (FU Base 10!)

List your ten favorite songs?



Inconceivable!

I am much more of an album guy than a song guy, and so-- in the spirit of the requisite hedging-- I will start by listing a bunch of albums I really love. So to all the ladies out there, this is how I do it-- forty-five minutes at a time-- so choosing a bunch of three minute songs is really difficult.

I'll start with an overly-long borderline crazy-person obsessive list of albums I love, because I don't offend anyone (I'm sure Roger Waters and Bob Mould read G:TB).

Apologies, as I will definitely make "sly declarations of new classic-status" on this list:


Raw Power (Iggy Pop)

Nothing Shocking (Jane's Addiction)

Dark Side of the Moon (Pink Floyd)

Paul's Boutique (The Beastie Boys)

Jimmy & Wes: The Dynamic Duo (Jimmy Smith and Wes Montgomery)

Love (The Cult)

The Pod (Ween)

Badmotorfinger (Soundgarden)

Summerteeth (Wilco)

Hissing Fauna, Are You the Destroyer? (Of Montreal)

Enter the Wu-Tang (36 Chambers)

Pinkerton (Weezer)

Weird Tales (Golden Smog)

Tim (The Replacements)

Rage Against the Machine (Rage Against the Machine)

Trainspotting: Music from the Motion Picture

Lifes Rich Pageant (R.E.M.)

Vegas (The Crystal Method)

11 (Random Idiots)

Consciousness (Pat Martino)

Exile on Main Street (The Rolling Stones)

Girl Talk (Night Ripper)

Houses of the Holy (Led Zeppelin)

Born to Run (Bruce Springsteen)

Crooked Rain, Crooked Rain (Pavement)

OK Computer (Radiohead)

Milo Goes to College (Descendents)

Demon Days (Gorillaz)

Neutral Milk Hotel (In the Aeroplane Over the Sea)

Merriweather Post Pavilion (Animal Collective)

Zen Arcade (Husker Du)

Ok, enough of that. I started with ten albums and couldn't stop adding to it. I'm not great at making decisions. Which brings me to my next point: these days, I am more of a streaming guy than an album guy. I pay $4.99 a month to Rdio because I love it so much (and I will admit that it is album based, instead of song based like Spotify or artist/genre based like Pandora). I type in an artist and let the algorithm make the decisions for me. I'm usually happy, occasionally annoyed (thumbs down!) and often pleasantly surprised.

I rarely know the names of songs I am listening to when streaming music. I like jazz guitar: Wes Montgomery and Grant Green and Pat Martino. I like jazz organ: Jimmy Smith and Richard "Groove" Holmes. I like latin jazz: Mongo Santamaria, Tito Puente, Eddie Palmieri, and the Afro-Cuban All-Stars. I type the name into the artist box and the funky sounds never stop.

I also like '90's techno (much to my wife's chagrin). No one knows the names of these songs, but I like Aphex Twin and Underground and Chemical Brothers and Crystal Method. These artists are perfect for when you are cooking (and drinking while cooking, which is the only way I cook) and I listen to them a lot. When I am reading I listen to ambient techno: Stars of the Lid and OK Ikumi. Again, I don't know the names of the songs. King Tubby is good for this as well.

If I am going to plug an artist into Pandora for a party, I like to do The Clash or Flaming Lips or INXS. Good stuff pops out.

I occasionally go through hip-hop phases, and ask Mark and Zman for picks. I'll listen to Brother Ali and Clipse and Public Enemy and Ghostface and Raekwon's "Only Built 4 Cuban Linx" and The Beastie Boys, but I don't go for particular songs, I put the whole album on (especially "Fishscale"!) and live in that world for a bit.

But ten songs? Impossible. There are too many. It's like naming your ten favorite grains of sand. I prefer the beach. But what can you do? When the Tiny Dictator gives you an assignment, you have to do it, or he'll punch you in the shins (shins? . . . oh no! . . . I forgot about The Shins!)

Enough hedging-- here are some songs I love, in no particular order.

I pared my list down to a dozen because I'm not going to be constrained by an anthropomorphic base-10 evolutionary quirk . . . plus, plenty of people are born with six fingers and/or six toes.


1. Don't Come Around Here No More (Tom Petty and the Heartbreakers)





I'm pretty sure this is the best song/video combination ever. I can still get lost in the world that Dave Stewart and Tom Petty created, even if I'm listening to this thing while I'm in line for coffee at Wawa. I love the sitar intro, the guitar outro, the weird arrangement and the super-reverb drums, and I love Petty's voice combined with the backing singers. I even love the cheesy '80's keyboard.

It's even better if you know the story behind the song. According to Wikipedia:

The original inspiration was a romantic encounter that Stewart had with Stevie Nicks of Fleetwood MacDave Stewart explained that the title's phrase was actually uttered by Nicks. She had broken up with Eagles guitarist Joe Walsh the night before, and invited Stewart to her place for a party after an early Eurythmics show in Los Angeles. Stewart did not know who she was at the time, but went anyway. When the partygoers all disappeared to a bathroom for a couple of hours to snort cocaine, he decided to go upstairs to bed. He woke up at 5am to find Nicks in his room trying on Victorian clothing and described the entire scenario as very much reminiscent of Alice in Wonderland. Later that morning, she told Walsh, "Don't come around here no more."

2. Dead Flowers (The Rolling Stones)

Or "Rocks Off" or "Gimme Shelter" or "Some Girls." Whatever. How do you pick the best Stones song?

I love to play this one on the guitar, and I love the bits of narrative and the heroin references. The Stones invented alt-country. I especially like the Townes Van Zandt version from The Big Lebowski.




3. Since You're Gone (The Cars)

Epic and weird, plus look at those outfits. What's not to love?




4. Push th' Little Daisies (Ween)

Really hard for me to choose only one Ween song. Also love "Dr. Rock" and "Pollo Asado" and "Voodoo Lady" and a hundred others . . .




5. Space Oddity (David Bowie)

Brevity is the soul of wit, and Bowie narrates an epic in a couple minutes.



6. Life During Wartime (Talking Heads)

Best two chord song ever (as opposed to the worst: "Horse with No Name")




7. Lodi (Creedence Clearwater Revival)

Everybody loves Creedence.




8. Mountain Song

A no brainer. This album came out my senior year in high school and was a big FU to the whole eighties Human League/Flock of Seagulls crap. Never forget first hearing it, and it still has the same effect (Rage Against the Machine's "Killing in the Name" works like this for me as well, but that came just after I graduated from college, so for me, it was more of a snowboarding anthem than an indictment of all music that came previous).



9. Paranoid Android (Radiohead)

The best song ever by the best band ever?

Only for smart people.



10. Listen Like Thieves (INXS)

Reminds me of high school and the '80's music I actually liked.



11. Punk Rock Girl (The Dead Milkmen)

Reminds me of high school and the '80's music I actually liked.




12. Cheesecake Truck (King Missile)

The best song ever by the best band ever. No question.




Plenty of honorable mentions, of course: "Song 2" by Blur, "Sundown" by Gordon Lightfoot, "Sultans of Swing" by Dire Straits, "Black Hole Sun" by Soundgarden, "Waterloo Sunset" by The Kinks, "Peace Dog" by The Cult, "Handshake Drugs" by Wilco and loads of others, but I'm going to stop now and shut my brain off and go back to listening to streaming music, which is far less taxing on my neurons.

I've already made a definitive list of the worst songs ever and I don't need to tread that ground again.

Why bother, when there are so many good songs?