Showing posts with label NPR. Show all posts
Showing posts with label NPR. Show all posts

Monday, March 17, 2025

Tree Goats

Argan trees grow in Morocco, where people eat the trees' fruit and press the seeds for oil (don't tell RFK!).  And where goats climb them to eat the fruit and leaves.  

I know a thing or two about goats.  They'll eat anything.  They can climb anything.  They can herd up to make it through anything.  You can put one in a goatapult and it will cling for dear life, no matter how hard you actuate the device.  But climb a tree?  That's news to me.

It might be news to you too, so here's a video featuring someone channeling her inner Margaret Jo McCullin and herds of rascally goats hoofing it up and down some argan trees.  Starting at 5:47, you can see some goats that have been herded into the equivalent of caprine hell, a Bummingdome if you will, forced to stand in one uncomfortable place for an extended period of time.  As the narrator says, "Those goats standing in one spot are, unfortunately, unhappy goats."


May all the goats in your collective lives be happy goats.

Monday, April 22, 2024

All The News That Fits ...

Manufacturers routinely subject their products to stress tests, a wise and necessary practice that allows for improvement and reduces the chance of human suffering and litigation. Other outfits have stress tests thrust upon them while in motion. Their ability to cope and adjust on the fly determine their value. News organizations belong to the latter group. 

Each day brings new challenges, and it’s up to the group to figure out the best way to gather and distribute information within the landscape. Sometimes results are deft and seamless, other times leaks and cracks and breakdowns are apparent. Or, as the philosopher Sam Elliott said in “The Big Lebowski,” “Sometimes you eat the b’ar, sometimes the b’ar eats you.” 


As an old newspaper guy and the site’s media grump, I’m often as curious about *how* stuff is covered as *what’s* covered. Which brings us to a couple of areas that caught my attention. One is the war in Gaza, or more specifically, coverage of the war in Gaza by several major news outlets. The other is who gathers and presents the news, and the filters through which they sift coverage, in this case at National Public Radio. 

First, you can go to a hundred places for news about Israel and Gaza and its effects on Israelis and Palestinians. I have no additional sources or insight. But I was struck by a couple of pieces illustrating that large, smart, capable news organizations are twisting themselves into crullers simply attempting to tell people what the hell is going on. The news site The Intercept was given an internal memo from New York Times editors instructing reporters about what language and terms they should and should not use in describing the conflict. Avoid terms such as “genocide” and “ethnic cleansing,” as well as “slaughter” and “massacre.” Don’t refer to areas of displaced Palestinians as “refugee camps” or Gaza as “occupied territory.” The words “terrorist” and “terrorism” are acceptable when referring to the original Hamas attack on Oct. 7, but not when Israeli soldiers or citizens target or kill Palestinian civilians. 

NYT editors say the aim is to avoid loaded words and terms that convey more emotion than fact, and to simply use precise descriptions. However, a NYT newsroom source told The Intercept: “I think it’s the kind of thing that looks professional and logical if you have no knowledge of the historical context of the Palestinian-Israeli conflict. But if you do know, it will be clear how apologetic it is to Israel.” 

A handful of NYT newsroom sources claim that the paper is being deferential to Israel and Israeli military sources for details of actions and civilian deaths. Meanwhile, NPR’s public editor wrote a recent piece saying that the most frequent criticism received is that its coverage highlights the suffering of Palestinians and downplays the pain and grief experienced by Israelis. That NPR doesn’t emphasize enough that Hamas sparked the present conflict with its initial attack or camouflage itself by blending in with the general population. Nor does it provide Israeli voices and context within stories about what are described as Palestinian civilian deaths and casualties, raids on hospitals and communities, etc. 

The public editor’s response was, essentially: We’re doing the best we can; not enough hours in a day or time in our broadcasts to mention everything. Unspoken was: And no matter how much we do, some of you *still* will bitch because we aren’t tailoring coverage or using language *you* want. 

NPR’s supposed Palestinian bias was also cited by a former editor. Uri Berliner was a senior business editor who recently resigned after 25 years, saying that he “cannot work in a newsroom where I am disparaged by a new CEO whose divisive views confirm the very problems at NPR” he outlined in a recent online essay. Berliner wrote at length for a piece on the site Free Press that NPR’s news side has morphed from an obligation to straightforward journalism, albeit with a liberal slant, to full-on, left-leaning advocacy that attempts to tell listeners what to think. 

Despite a commitment to a more diverse newsroom, he wrote that the “most damaging development” was an absence of viewpoint diversity: no conservative voices, no one to challenge when more rigorous standards of reporting or journalism are ignored. He pointed out that several years ago, NPR’s Washington D.C., office where he worked had 87 registered Democrats and zero Republicans, a ratio that was met with staggering indifference when he brought it up to superiors. Listenership is down, he wrote, and the audience has narrowed. 

In 2011, twenty-six percent of listeners described themselves as conservative, 23 percent as middle-of-the-road, 37 percent as liberal. In 2023, eleven percent said they were conservative, 21 percent middle-of-the-road, 67 percent liberal. On the journalism end, Berliner wrote that the office went all-in on Trump-Russia collusion in the 2016 presidential campaign before anything was proven, barely bothered to investigate the possibility of a Chinese lab leak as the origin of the COVID-19 virus despite credible questions that persist to this day, and dismissed the Hunter Biden laptop story in 2020 out-of-hand before any real reporting as a potential distraction for the task of ousting Trump. After George Floyd was killed by a white police officer in Minneapolis, rather than explore the impacts of racism through reporting, he wrote that management accepted systemic racism in the nation as a given and charged staff with acknowledging and helping to dismantle white privilege. [Note from the tiny dictator: For what it's worth, the WaPo's Erik Hemple dug into Berliner's claims and found many of them wanting for evidence, which doesn't besmirch the media grump's broader point.]

These are tough times for the news business. As news sources dwindle in an increasingly polarized society, there’s no guarantee that if NPR reported straight down the middle and had more conservative voices that it would attract listeners and have a better balanced audience, that if New York Times reporters didn’t have to check every other sentence through a wartime sensitivity glossary that it would present a fair accounting in a combat zone. But dear lord, people, don’t overthink it. Report and write and speak and present the way you were taught. Follow common sense and your gut. Don’t erect more obstacles than are already in place. The b’ar needs no help.

Tuesday, October 18, 2011

My Kind of Desk

Bob Boilen has one of the coolest jobs in the world, curating music for All Songs Considered and managing NPR Music's overall efforts.  As if that weren't enough, serendipity and a corner location led to the Tiny Desk Concert series, where bands strip down their equipment and play short gigs amongst the piles of papers, CDs, and books in Boilen's Washington, DC office.

This week, G:TB fave Wilco played two new tunes and and old favorite hard by Boilen's workspace.  Check it out.  And check out the entire series. My office is not nearly this awesome.