Showing posts with label TR's 6-pack. Show all posts
Showing posts with label TR's 6-pack. Show all posts

Tuesday, March 03, 2020

A Pompous Lecture on the Curve of Drunkenness, Illustrated

TR recently opined on various states of drunkenness. My experience with this subject matter leads me to conclude that it can best be described as an inverted parabola with disposition as a function of fun along the y-axis and drunkenness by time along the x-axis. The slope at any particular point on the curve dictates how you're doing--this is why you should've paid attention in calculus. As a general matter, the upward slope from time 0 is euphoric, the peak is the fabled “sweet spot of drunkenness,” and everything after that is literally downhill into dysphoria.

Here's a curve for the principle generally.


As you can probably imagine, there are lots of other things you could overlay onto this plot. To wit:


Things can get really bad too. Then you're in the negative. This is "abject misery" and includes vomiting, bed wetting, waking up in jail and so on. This is where "too drunk to fly" happens.


We've all been there.

via GIPHY


Further, the shape of the parabola varies from person to person, and it varies for a person depending on the conditions at hand like hydration state, nutrition levels, degree and nature of concomitantly administered substances, health status, age, and so on. One’s drunkenness parabola can therefore be used as something of a fingerprint for their general drinking capacity, or a snapshot of a particularly memorable round of boozing. I’ll show you what I mean.


Much like Costanza in the pool, the SSOD of drunkenness shrinks with age. In my twenties I could drink a lot, sometimes even epically, before I tipped over the edge of the SSOD into dysphoria. My SSOD was a broad plateau, a mesa of fun. In my thirties the SSOD shrank to a mere hill. Now, in my mid-forties, my SSOD is like the dip of a dull spear and about as useful. So it goes.

As a result, I frequently and accidentally fall into the dysphoria side of the curve nowadays. I assume you're similarly situated. Here's a graphical representation with some examples from your inner monologue along the downward slide into abject misery.


As I said before, some people have wildly different curves. Here's TR circa 1994:


When we were kids TR had an egregiously large bad decision zone. It started at the end of his SSOD and ended well into abject misery. Apex TR was often the coolest guy in the room, picking out great music, making funny jokes, playing pool and beerpong well. After that things could get weird. He might do something that isn't that funny, but you let it go. Then it gets stranger and stranger until you find yourself with a dead woodchuck propped up in a lawn chair with sunglasses, a cigarette and a handful of naked lady playing cards and telling people "This is Lambo's new shake, they nicknamed him Chuck!"

TR's curve was also unique in that he had this amazing plateau of negative fun which coincided with a certain look in his eyes. Many of you recall The Look. When you saw it you knew anything could happen. Anyway, at a point where any normal person would have passed out, TR powered through, wreaking havoc and causing mass discomfort. Naked bike rides in hurricanes? Head positioned between two speakers blaring Bathtub Gin on repeat? It's enough to give another guy a panic attack and make him to pass out.

After the negative plateau phase things got dark. Someone usually wound up on the wrong end of a beating, perhaps with their own flip-flop, or there was a trip to 7-11 for diarrhea dogs. None of this happens nowadays.

Here's a curve for FOG:TB Ian:


Ian still has the capacity for epic drinking. His SSOD is broad and flat. That said, his descent into dysphoria is a thing to behold. For hours he can be the life of the party, cracking jokes and telling great stories. Then, in a flash, he's suddenly breaking things. Seconds later he expresses tremendous remorse for his outburst and engages in self-flagellation. He then staggers away into the night and eventually passes out someplace familiar like the back of his truck or under the Martha Wood. But because of his amazing ability to metabolize alcohol, this negative fun plateau can get dragged out for hours.

Feel free to print this post out and carry it with you so you can identify where you are on the curve of drunkenness the next time you go out. Then you'll know where you stand. And knowing is half the battle.

via GIPHY

Friday, May 11, 2018

Stuff You Slept On, Alternatively Titled "layzman's filler" -- A Recurring Post

There are a number of albums I love that no one else seems to know about. It occurred to me that there are innumerable such albums, albums that are beloved by a only a few people and that deserve more spins. So I decided to shine a light on this stuff that we slept on, while simultaneously harnessing the immense power with which I am clothed via my G:TB platform to crowd-source content. To that end, I surveyed about a dozen of our twelve person readership for hidden musical gems. The resulting layzman's filler will trickle out as needed. First up is TR's response:

Warren Zevon's Excitable Boy turns 40 this year. The song he is most known for (Werewolves in London) is on this album, but it is far from his best song on the album (IMO).

Excitable Boy is a fun rocker with an oldies tilt, but that's not the tune I'm gonna pimp here.

Lawyers, Guns and Money is also on this album. I have loved this song for the last fifteen years, since I first heard Widespread Panic cover it. The lyrics are like something Hunter S. Thompson would write, which is high praise from a guy with a Gonzo tattoo and a son named Hunter. "Now I'm hiding in Honduras. I'm a desperate man. Send lawyers, guns and money. The shit has hit the fan." Giddyup.

The other tune I'm gonna pimp is Night Time in the Switching Yard. I vividly remember when I first heard this. I was driving to Saratoga early on a Friday morning for Sammy the Bull's BP in the mid aughts. I was near Woodstock and found a great classic rock station. This was pre-Sirius, when you had to work to find tunes. This song came and I quickly turned the volume up to 11.

YouTube link is here. You have to embed this video or you won't be my friend any more:



If nothing else, Werewolves, Excitable Boy, Lawyers and Night Time highlight Zevon's tremendous musical range, lyrical prowess and potential as a rock superstar cut from the same cloth as Petty and Springsteen. Ultimately, his numerous personal demons proved to be too much of a limiting factor on his professional success. But he put it all together on one tremendous LP. I own it on vinyl. You should too.

Saturday, April 28, 2018

Thank You Alt Nation - TR's 6-pack.

I may have mentioned this already, but my kids like to listen to Alt Nation in the car. All the time. They know every song, and love those with a curse in it, probably for that reason alone. Little Lion Man by Mumford and Sons, Turn by The Wombats and (F*ck A) Silver Lining by Panic @ the Disco are three examples. I have stopped caring about the language, to be honest. I distinctly remember being fired up when hearing "you son of a bitch" at a very young age during Devil Went Down to Georgia. And I remember giggling when my mom played the Chorus Line soundtrack song "Tits and Ass" on vinyl. So who am I to judge? Oh right, I'm their Dad. I should judge a little bit. Whatever.

Back to the topic. Alt Nation is a decent station to have in the preset mix. Most of the new artists are at least somewhat tolerable.  I also enjoy when I hear tunes from "classic" bands like MGMT, The Killers and Vampire Weekend. The point here is that the station introduces me to a lot of new tunes that I end up digging. Sometimes I'll dive down the rabbit hole to learn more about the band.

So I'll fess up and admit I'm stealing Whitney's 6-pack theme, because lazy. I'm here today to write about Wallows. They are a trio from Los Angeles that goes all the way back to the early 10's. I really really dig their tune being played on Alt Nation right now. It is called Pictures of Girls. The video is below. The song has a great summery, Beach Boys-meets-Vampire Weekend ethereal vibe to it.



My second favorite tune on Wallows' new six-song EP is 1980's Horror Film. Witty lyrics that belie the song's tone. Reminds of old Ben Folds Five songs. Who else could slide the lyrics "and you think Rockford Files is cool" into a song so seamlessly? A lot of people, I guess. But he/they did it better than most.



Below is Pleaser, Wallows' first "hit," at least to some young folks in SoCal. It is a tune from way back in '17. Raw, yet catchy. Like my STDs!



Here is another '17 tune that's fun...



...and here's one more from the Spring EP (which has Pictures of Girls and 1980's Horror Film):



Lastly, here is them doing a tune called Pulling Leaves Off Trees. It's amusing that they make the video look like it was shot with an 80's video camera. Stranger Things ripple effect, I guess. Enjoy!